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RETURN TRIPS

In Return Trips, her third collection of short stories, Adams works with people on the move, some returning to familiar places, others taking the ultimate trip from which they will not return. Adams' familiar theme of weather—crazy California heat and cold, Mexican sun, Alaskan darkness—is predictably sounded in each of these stories. Weather, even in its changeability, will always be with us, unlike love or sexuality. Predictable, too, is Adams' concentration on polarities: east and west; north and south; young and old; fat and thin. This works well in "Mexican Dust," where Miriam, a size-three, dark-haired woman, finally assumes stature over her three large, fair-haired traveling companions by achieving a clarity of vision none of them quite possesses. It works less well in "Barcelona," where Adams' attempt to make a significant comparison between rich and poor men results in the merely facile. In one of her better stories, "Waiting for Stella," contradictions are neatly played out: the discomfort of intense waiting; the sense of disappointment when the wait is over, of even misery as something to miss. At the story's conclusion, young naive Day (a day visitor, suggesting youth lasts but a day) believes everything is understood and settled while the far wiser and Older Rachel knows nothing is. "New Best Friends," a very fine story, relates the end of a Yankee/southern alliance that, like a vaccination, never quite took. The northern husband's flash of danger, quickly perceived and as quickly dismissed (characteristic of Adams' men), warns him that he, too, may soon become an ending in his wife's life. If these 14 well-crafted stories have more scope than depth, more style than passion, Adams aficionados will not be disappointed in the quality of the writing or the acuity of detail.

Pub Date: Sept. 6, 1985

ISBN: 0449209539

Page Count: -

Publisher: Knopf

Review Posted Online: March 15, 2012

Kirkus Reviews Issue: Aug. 15, 1985

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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