In her debut picture book, McGinty depicts a slumber party that takes a sleepless turn in a comical counting rhyme. “Good night, little lambs. / Go to sleep,” says the mother to the children tucked in bed and counting sheep. The rumpus begins when she leaves: “Ten little lambs who won’t go to sleep. / What will they do all night? / They’ll tackle and tumble, and wrestle and rumble. / Ten little lambs all night.” Rendered in soft pastel hues, Sweet’s (The Sky’s the Limit, p. 266, etc.) busy watercolor and colored-pencil illustrations depict the children (who have turned into lambs) laughing, bouncing, and swinging from the bedpost in a raucous pillow fight. Encouraging participation, McGinty’s text remains essentially unchanged as the story counts down, except for the description of the lamb’s activity. To wit, “Six little lambs who won’t go to sleep. / What will they do all night? / They’ll plow winding freeways through piles of pj’s. / Six little lambs all night.” Sweet adds an important element to the narrative by placing the additional sleeping lambs in circles across the bottom of the page. The formula presents many mathematical possibilities, including comparing the number of lambs asleep and awake and calculating different combinations that total 10. It all adds up to good fun. And as a bonus, little ones who’ve yet to experience the irony of the slumber party will get solid training in the stay-awake-at-all-costs ritual. (Picture book. 4-6)
Pub Date: May 1, 2001
ISBN: 0-8037-2596-5
Page Count: 32
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2002
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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BOOK REVIEW
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SEEN & HEARD
SEEN & HEARD
Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)
Pub Date: March 1, 2011
ISBN: 978-0-399-25425-3
Page Count: 32
Publisher: Philomel
Review Posted Online: Jan. 25, 2011
Kirkus Reviews Issue: Feb. 1, 2011
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BOOK REVIEW
BOOK REVIEW
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