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THE GIRL WHO NAMED PLUTO

THE STORY OF VENETIA BURNEY

An inspiring and beautifully illustrated tale made all the better by its historical foundation.

It’s 1930, and an 11-year-old girl in Oxford, England, is about to make history.

McGinty first introduces readers to young Venetia Burney attentively listening to a school lesson about the solar system and quickly establishes Venetia’s voracious curiosity across disciplines. The elegant yet accessible text is packed with historical tidbits that contextualize her scientific contribution without overwhelming readers (for example, the fact that her well-connected grandfather had a friend in the Royal Astronomical Society who shared Venetia’s idea with the Lowell Observatory astronomers). Third-person present-tense narration draws readers into the exact moment when, upon hearing that a ninth planet has been discovered, Venetia suggests a name: “she knows that this planet, so far from the sun, must be frozen, dark, and lifeless…like…the underworld ruled in Roman myths by Neptune’s brother, Pluto.” Haidle’s layered, semiopaque washes of blue-gray ink with rusty red accents impart a gravitas that supports the significance of Venetia’s contribution and, echoing sepia-tone photos, emphasizes her place in history. The muted color palette somewhat obfuscates skin tones, but most people, including Venetia, appear white. The constellations on the endpapers immediately introduce the connection between mythology and astronomy that inspired Venetia, while stylized maps and diagrams of the solar system will enthrall readers of all ages.

An inspiring and beautifully illustrated tale made all the better by its historical foundation. (author’s note) (Picture book/biography. 4-8)

Pub Date: May 14, 2019

ISBN: 978-1-5247-6831-7

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Feb. 12, 2019

Kirkus Reviews Issue: March 1, 2019

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CECE LOVES SCIENCE

From the Cece and the Scientific Method series

A good introduction to observation, data, and trying again.

Cece loves asking “why” and “what if.”

Her parents encourage her, as does her science teacher, Ms. Curie (a wink to adult readers). When Cece and her best friend, Isaac, pair up for a science project, they choose zoology, brainstorming questions they might research. They decide to investigate whether dogs eat vegetables, using Cece’s schnauzer, Einstein, and the next day they head to Cece’s lab (inside her treehouse). Wearing white lab coats, the two observe their subject and then offer him different kinds of vegetables, alone and with toppings. Cece is discouraged when Einstein won’t eat them. She complains to her parents, “Maybe I’m not a real scientist after all….Our project was boring.” Just then, Einstein sniffs Cece’s dessert, leading her to try a new way to get Einstein to eat vegetables. Cece learns that “real scientists have fun finding answers too.” Harrison’s clean, bright illustrations add expression and personality to the story. Science report inserts are reminiscent of The Magic Schoolbus books, with less detail. Biracial Cece is a brown, freckled girl with curly hair; her father is white, and her mother has brown skin and long, black hair; Isaac and Ms. Curie both have pale skin and dark hair. While the book doesn’t pack a particularly strong emotional or educational punch, this endearing protagonist earns a place on the children’s STEM shelf.

A good introduction to observation, data, and trying again. (glossary) (Picture book. 5-8)

Pub Date: June 19, 2018

ISBN: 978-0-06-249960-8

Page Count: 40

Publisher: Greenwillow Books

Review Posted Online: March 26, 2018

Kirkus Reviews Issue: April 15, 2018

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ANIMAL ARCHITECTS

From the Amazing Animals series

An arguable error of omission and definite errors of commission sink this otherwise attractive effort.

A look at the unique ways that 11 globe-spanning animal species construct their homes.

Each creature garners two double-page spreads, which Cherrix enlivens with compelling and at-times jaw-dropping facts. The trapdoor spider constructs a hidden burrow door from spider silk. Sticky threads, fanning from the entrance, vibrate “like a silent doorbell” when walked upon by unwitting insect prey. Prairie dogs expertly dig communal burrows with designated chambers for “sleeping, eating, and pooping.” The largest recorded “town” occupied “25,000 miles and housed as many as 400 million prairie dogs!” Female ants are “industrious insects” who can remove more than a ton of dirt from their colony in a year. Cathedral termites use dirt and saliva to construct solar-cooled towers 30 feet high. Sasaki’s lively pictures borrow stylistically from the animal compendiums of mid-20th-century children’s lit; endpapers and display type elegantly suggest the blues of cyanotypes and architectural blueprints. Jarringly, the lead spread cheerfully extols the prowess of the corals of the Great Barrier Reef, “the world’s largest living structure,” while ignoring its accelerating, human-abetted destruction. Calamitously, the honeybee hive is incorrectly depicted as a paper-wasps’ nest, and the text falsely states that chewed beeswax “hardens into glue to shape the hive.” (This book was reviewed digitally.)

An arguable error of omission and definite errors of commission sink this otherwise attractive effort. (selected sources) (Informational picture book. 5-8)

Pub Date: Sept. 7, 2021

ISBN: 978-1-5344-5625-9

Page Count: 56

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: July 5, 2021

Kirkus Reviews Issue: Aug. 1, 2021

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