A good introduction to Simone’s life, from her early love of music to her rise to the status of legend.
A biography about the legendary singer told as a lullaby from Simone to her daughter.
With black-and-white illustrations that evoke a dreamy, old-time feel, Simone (appropriately portrayed with an Afro) sings her daughter a lullaby interspersed with the story of her life. At 3, Simone starts piano lessons, connecting the appearance of the piano keys to the oppression of black people in the U.S. Music offers Simone an escape (“Music has no color”), though the fact that the “important men in powdered wigs from past centuries” whose music she plays are all white is addressed only in the illustration. (Here young Simone is also depicted with white hair, which will probably require some assistance from caregivers to unpack.) When 12-year-old Simone gives a church performance, she refuses to play until her mother, who had given up her front-row seat for a white attendee, is reseated in the front row, setting a precedent for her activist future. Dr. Martin Luther King Jr. is cited as an inspiration (though without the honorific), and a spread with protest signs adds humor with Simone happily pointing to her own sign, which reads, “Young, Gifted, and Black,” a nod to her future song. Though the softly textured illustrations in this French import are sometimes obscure, they are always beautiful.
A good introduction to Simone’s life, from her early love of music to her rise to the status of legend. (Picture book. 4-8)Pub Date: Dec. 5, 2017
ISBN: 978-1-58089-827-0
Page Count: 40
Publisher: Charlesbridge
Review Posted Online: Oct. 15, 2017
Kirkus Reviews Issue: Nov. 1, 2017
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)
Bewitched by the rhythms of jazz all around her in Depression-era Kansas City, little Melba Doretta Liston longs to make music in this fictional account of a little-known jazz great.
Picking up the trombone at 7, the little girl teaches herself to play with the support of her Grandpa John and Momma Lucille, performing on the radio at 8 and touring as a pro at just 17. Both text and illustrations make it clear that it’s not all easy for Melba; “The Best Service for WHITES ONLY” reads a sign in a hotel window as the narrative describes a bigotry-plagued tour in the South with Billie Holiday. But joy carries the day, and the story ends on a high note, with Melba “dazzling audiences and making headlines” around the world. Russell-Brown’s debut text has an innate musicality, mixing judicious use of onomatopoeia with often sonorous prose. Morrison’s sinuous, exaggerated lines are the perfect match for Melba’s story; she puts her entire body into her playing, the exaggerated arch of her back and thrust of her shoulders mirroring the curves of her instrument. In one thrilling spread, the evening gown–clad instrumentalist stands over the male musicians, her slide crossing the gutter while the back bow disappears off the page to the left. An impressive discography complements a two-page afterword and a thorough bibliography.
Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)Pub Date: July 1, 2014
ISBN: 978-1-60060-898-8
Page Count: 40
Publisher: Lee & Low Books
Review Posted Online: June 3, 2014
Kirkus Reviews Issue: June 15, 2014
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