Murder is all in the family in this novel, but the surprise ending lacks punch.
A birthday party on a remote island turns into a series of bizarre murders.
“I was born with a broken heart” is how the title character and narrator of this murder mystery opens her story. Daisy is happy, however, to be celebrating the 80th birthday of her beloved nana, Beatrice Darker. Nana is a children’s author who several decades ago made a fortune on a book titled Daisy Darker’s Little Secret. Her family gathers for the birthday party at Seaglass, Beatrice’s eccentric old house on the Cornish coast, on an isolated island at the bottom of a cliff that’s only accessible at low tide. It’s a family affair: Beatrice’s son, Frank Darker, a globe-trotting classical musician who was often absent when his children were growing up; Nancy, his ex-wife and the coldly critical mother of those children; and Daisy’s two older sisters, beautiful and brainy Rose and vain and lazy Lily. Also on the island are Lily’s teenage daughter, Trixie (whose paternity is unknown), and Conor Kennedy, whom Beatrice took in when he was a neighbor boy abused by his father; he’s now a successful journalist. As the tide cuts off the house from the mainland, Beatrice serves a feast and then announces the reading of her will—a reading that makes almost everyone in the family unhappy. Then someone in the small group is found dead in a pool of blood. Soon bodies are stacking up, each killed in a strikingly personal manner, and the dwindling number of living people are frantically trying to identify the killer. (No calling for help—there’s no cell service, and Beatrice has stopped paying her landline bill.) Between the murders, Daisy fills us in on everyone’s backstory, which sometimes bogs down the suspense. If this all sounds a little like Agatha Christie’s bestseller And Then There Were None, that’s probably no accident. But this tale has a different twist ending that, despite some clever construction throughout the book, doesn’t quite convince.
Murder is all in the family in this novel, but the surprise ending lacks punch.Pub Date: Aug. 30, 2022
ISBN: 978-1-250-84393-7
Page Count: 352
Publisher: Flatiron Books
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
“Nasty little fellows…always get their comeuppance,” a movie character once said. Deeply satisfying.
Following the mysterious disappearance of his wife, a struggling London novelist journeys to a remote Scottish island to try to get his mojo back—but all, of course, is not what it seems.
Grady Green hits the pinnacle of his publishing career on the same night that his life goes off the rails—first his book lands on the New York Times bestseller list, and then his wife, Abby, goes missing on her way home. A year later, Grady is a mere shadow of his former self: out of money and out of ideas. So, when his agent, Abby’s godmother, suggests that he spend some time on the Isle of Amberly, in a log cabin left to her by one of her writers, it seems as good a plan as any. With free housing for himself and his dog and a beautiful, distraction-free environment, maybe he can finally complete the next novel. But from the very beginning, Grady’s experiences with Amberly seem weird, if not downright ominous: As a visitor, he’s not allowed to bring his car onto the island; the local businesses are only open for a few hours at a time; and there are no birds. At all. Not to mention the skeletal hand he finds buried under the floorboards of the cabin, the creepy harmonica music in the woods, and the occasional sighting of a woman in a red coat who’s a dead ringer for Abby. As Grady falls deeper and deeper into insomnia and alcoholism, he begins to realize his being on the island is no accident—and that should make him very afraid. Through occasional chapters from before Abby’s disappearance, told from her point of view, we learn that Grady is not necessarily a reliable narrator, and the book’s slow unfolding of dread, mystery, and then truth is both creative and well-paced. Every chapter heading is an oxymoron, like the title, reminding us of the contradictions at the heart of every story.
“Nasty little fellows…always get their comeuppance,” a movie character once said. Deeply satisfying.Pub Date: Jan. 14, 2025
ISBN: 9781250337788
Page Count: 320
Publisher: Flatiron Books
Review Posted Online: Oct. 10, 2024
Kirkus Reviews Issue: Nov. 15, 2024
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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