In oblique response to the events of 9/11, Hoffman (Indigo, 2002, etc.) crafts this otherworldly tale of an orphan giving and receiving help in the wake of a massive disaster. Describing herself as a “moody, dark weed,” with an affinity for growing things, Green covers herself in darkness and thorns after watching a huge fire in the nearby town rob her of parents, and of her wild, golden little sister. Nearly blinded by falling cinders, she changes her name to Ash, cuts her hair, sews rose thorns onto her clothing, and tattoos herself all over with inky vines, briars, ravens, and bats. At first leaving her house only to find food or add stones to the cairns she’s building for her family, she gradually finds herself caring for injured animals, an aged neighbor, and another orphan, a burned, silent young painter she dubs Diamond. Ultimately, time’s a healer, as tears wash the ashes from her eyes, her dreams lighten, and her tattoos green up just as her devastated garden does. A suggestion that the fire was set by people who “had been living among us, pretending to be good neighbors,” adds an additional, and thought provoking connection to historical events—but even readers who don’t make that connection on their own will be moved by the powerful imagery in Green’s spare, haunting narrative. Hoffman’s other “crossover” novels have been criticized as heavy-handed; here she shows a more delicate touch. (Fiction. 11-13)
Pub Date: March 1, 2003
ISBN: 0-439-44384-9
Page Count: 128
Publisher: Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2003
The best day of Michael Mackenzie's life becomes the worst when the bullet he exuberantly fires into the air during his 17th birthday party comes down a mile away and kills a man. When he hears the story on the radio, the news hits him like a lightning bolt. Numbly following the advice of his best friend, Joe, he buries the rifle and tries, without much success, to get on with life. So does the victim's 15-year-old daughter, Jenna, who had been present when the bullet struck. Switching between Michael's point-of-view and Jenna's, McDonald (Comfort Creek, 1996) sends the two teenagers dancing slowly toward each other, using mutual acquaintances, chance meetings at parties and the community pool, and glimpses at a distance. Both go through parallel phases of denial, both are tortured by remorse, exhibit behavior changes, and experience strange dreams; both eventually find ways to ease their grief and guilt. When the police close in, Joe takes the blame, giving Michael the nerve to confess. In the final chapter, McDonald shifts to present tense and brings Michael and Jenna to a cathartic meeting under a huge sycamore said in local Lenape legend to be a place of healing—an elaborate and, considering the suburban setting and familiar contemporary characters, awkward graft in this deliberately paced but deeply felt drama. (Fiction. 11-13)
Pub Date: Oct. 1, 1997
ISBN: 0-385-32309-3
Page Count: 245
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1997
Miah’s melodramatic death overshadows a tale as rich in social and personal insight as any of Woodson’s previous books.
In a meditative interracial love story with a wrenching climactic twist, Woodson (The House You Pass on the Way, 1997, etc.) offers an appealing pair of teenagers and plenty of intellectual grist, before ending her story with a senseless act of violence.
Jeremiah and Elisha bond from the moment they collide in the hall of their Manhattan prep school: He’s the only child of celebrity parents; she’s the youngest by ten years in a large family. Not only sharply sensitive to the reactions of those around them, Ellie and Miah also discover depths and complexities in their own intense feelings that connect clearly to their experiences, their social environment, and their own characters. In quiet conversations and encounters, Woodson perceptively explores varieties of love, trust, and friendship, as she develops well-articulated histories for both families. Suddenly Miah, forgetting his father’s warning never to be seen running in a white neighborhood, exuberantly dashes into a park and is shot down by police. The parting thought that, willy-nilly, time moves on will be a colder comfort for stunned readers than it evidently is for Ellie.
Miah’s melodramatic death overshadows a tale as rich in social and personal insight as any of Woodson’s previous books. (Fiction. 11-13)Pub Date: Sept. 1, 1998
ISBN: 0-399-23112-9
Page Count: 181
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1998
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