Master storyteller Hoffman’s tale pours like cream but is too thick with plot redundancies and long-winded history lessons.
Set in late-17th-century England and America, the pre-prequel to Hoffman’s Practical Magic (1995) and The Rules of Magic (2017) covers the earliest generations of magically empowered Owens women and the legacy they created.
In 1664, Hannah Owens, practitioner of “the Nameless Art” sometimes called witchcraft, finds baby Maria abandoned near her isolated cottage in Essex County, England. She lovingly teaches ancient healing methods to Maria, whose star birthmark indicates inherent magical powers; and since Hannah considers ink and paper the most powerful magic, she also teaches Maria reading and writing. After vengeful men murder Hannah in 1674, Maria escapes first to her unmotherly birth mother, a troubled practitioner of dark, self-serving magic, then to Curaçao as an indentured servant. At 15 she is seduced by 37-year-old American businessman John Hathorne (his name an allusion to Nathaniel Hawthorne, who wrote about mistreatment of marked women). Enchanted by the island, Puritan Hathorne loses his rigidity long enough to impregnate Maria before returning to Salem, Massachusetts, without saying goodbye. Maria, with new daughter Faith, whose birthmark is a half-moon, follows him. The ship on which she travels is captained by a Sephardic Jew who gives her passage in return for treating his son’s dengue fever, an excuse for Hoffman to link two long-standing unfair persecutions—of smart women as witches and Jews as, well, Jews. That Maria will find a truer love with warmhearted Jewish sailor Sam than with icy Hathorne makes sense in terms of later Owens women’s stories. For the earlier books to work, Maria must found her female dynasty in Salem, but first she and Faith face betrayals, mistakes, and moral challenges. Maria uses her powers to help others but often misreads her own future with devastating results; separated from Maria during her childhood, emotionally damaged Faith is tempted to use her grandmother’s selfish “left-handed” magic.
Master storyteller Hoffman’s tale pours like cream but is too thick with plot redundancies and long-winded history lessons.Pub Date: Oct. 6, 2020
ISBN: 978-1-982108-84-7
Page Count: 416
Publisher: Simon & Schuster
Review Posted Online: Aug. 18, 2020
Kirkus Reviews Issue: Sept. 1, 2020
An engrossing, action-packed sequel with a compelling cast.
A woman must undergo fearsome trials to free the imprisoned Titans of Greek myth in Owen’s fantasy novel, the second in a series.
Advancing from minor office clerk in the Order of Thieves to Queen of the Underworld, Lyra Keres’ star should be rising. But thanks to Cronos, King of the Titans, she and her longtime friend and fellow thief Boone have been ensnared in a new challenge beneath the earth: Hot on the heels of winning the twisted Crucible Games, Lyra—who has recently been granted goddess powers—finds herself trapped in Tartarus. Separated from her beloved Hades, she must liberate the fearsome Titans from seven Locks to restore the cosmic balance. As Lyra progresses through the Locks engineered by the Gods—each as tricky and lethal as the last—the pressure mounts as the Titans repeatedly remind her, “You will be our savior.” Rhea, the wife of Cronos, reveals that Lyra began this quest “a hundred and fifty years ago,” adding further devastation to the task at hand; the knowledge is helpful, but also painful, as Lyra reflects, “Suddenly, I don’t want to know that it’s real. Because then I have to contemplate how many times I might have ended up in Tartarus already.” As she materializes in and out of time pockets, Lyra sees Hades’ troubled childhood unfold and struggles not to intervene to save the man she loves. In this second entry in the author’s Crucible series, following The Games Gods Play (2024), Lyra’s cynical quips continue to make her an engaging protagonist. Her inner monologues are balanced with hope, love, and longing for Hades as she meets various versions of him. While resilient, Owen’s heroine is also vulnerable (“Was I his pawn in more ways than I ever realized?”). Her introspection effectively contrasts with the simmering rage and restraint in Hades’ chapters. The supporting Titans are given more depth than the traditional myths allow, weaving a knotty family fabric for the reader to navigate alongside Lyra.
An engrossing, action-packed sequel with a compelling cast.Pub Date: Oct. 21, 2025
ISBN: 9781649378538
Page Count: 500
Publisher: Entangled: Red Tower Books
Review Posted Online: Sept. 9, 2025
Kirkus Reviews Issue: Nov. 1, 2025
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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