A rather depressing glimpse of things to come, culled from the rising talents of some 20 writing programs nationwide by Hoffman (Practical Magic, 1995, etc.), who blithely and somewhat terrifyingly informs us that ``what's in these pages is only the start.'' All the standard criticisms of writing-program prose—its flatness, dullness, lack of depth—are well-illustrated by the selections found here. Almost all are narrated by or from the point of view of people who are young and confused at the start and who make very little progress by the end of pieces that are, in fact, mostly portraits rather than stories. The young WASP of Lindsay Fleming's ``The Slipper'' manages to lose his father, get married, disgrace himself, and go crazy all without the least intimation of drama: His decline comes about as naturally as the winding-down of a cocktail party. In Denise Simard's ``Tallulah at Your Feet,'' a badly stalled college grad walks dogs for a living and dates a boring lout for no good reason other than loneliness and sloth; the pathetic crush she develops on a married man, offered as the climax, is described triumphantly though it seems merely desperate. The best entries tend to be the ``culture narratives''—e.g., Caroline Cheng's ``Consolation'' or Julie Rold's ``Bloodlines''- -which describe and take place within a cohesive and well-defined social milieu, the Philippines, say, or the German communities of the Midwest, more successful mainly because they're the more likely to rely upon narration, description, and plot for effect. Most of the others—like Adam Schroeder's ``The Distance Between Prague and New Orleans'' (a narcissistic actor fakes an epiphany in a cemetery)—seem to be engaging in various forms of self-absorption or self-analysis that may be good for the authors' souls but does little for their writing. Dreadfully dull and unbearably pompous. If really a foretaste of literary trends, to be read while weeping.
Pub Date: Feb. 1, 1997
ISBN: 0-684-83314-X
Page Count: 400
Publisher: Scribner
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1996
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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