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SURVIVAL LESSONS

A lightweight but heartening book.

A how-to guide to facing death and living life by the popular novelist and cancer survivor.

When Hoffman (The Dovekeepers, 2011, etc.) received the diagnosis about her lump, her immediate response was denial: “I was busy after all, the mother of two young sons, caring for my ill mother, involved in my writing. My most recent novel, Here on Earth, had been chosen as an Oprah Book Club Choice; an earlier novel, Practical Magic, was being filmed in California with Sandra Bullock and Nicole Kidman. I didn’t have time to be ill.” Once she came to terms with the fact that disease doesn’t necessarily strike at our convenience, she was able to deal directly with her situation, put her life in perspective and get her priorities in order. She was one of the lucky ones—15 years later, she remains very much alive and productive, capable of writing the book that might have helped her when the shock of cancer blindsided her. “In many ways I wrote Survival Lessons for myself to remind myself of the beauty of life, something that’s all too easy to overlook during the crisis of illness or loss,” she writes. Though Hoffman has earned renown as a talented writer, this isn’t really a writerly book, but more like conversational advice from a close friend. Most of the advice is common sense, yet the element of choice is crucial when faced with a fate that seems beyond your control. You can choose how to respond and put your crisis in perspective: “Good fortune and bad luck are always tied together with invisible, unbreakable thread.” Hoffman ends with words of wisdom from her oncologist, who advised that, “cancer didn’t have to be my entire novel. It was just a chapter.” In other words, this too shall pass.

A lightweight but heartening book.

Pub Date: Oct. 1, 2013

ISBN: 978-1-61620-314-6

Page Count: 120

Publisher: Algonquin

Review Posted Online: March 23, 2013

Kirkus Reviews Issue: April 15, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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