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LOOKING FOR THE STRANGER

ALBERT CAMUS AND THE LIFE OF A LITERARY CLASSIC

A compelling companion to a novel that has stayed strange.

The fascinating story behind Albert Camus’ coldblooded masterpiece.

Ever since its 1942 publication, The Stranger has been a murder mystery in more ways than one: we know whodunit, we just don’t know why. The narrator, Meursault, is a killer without a motive; after the unprovoked shooting of an Arab, he goes to trial offering neither remorse nor defense and awaits execution in a jail cell consoled only by his bull-headed refusal to play his designated role. In this swiftly told, deeply researched literary investigation, Kaplan (Dreaming in French: The Paris Years of Jacqueline Bouvier Kennedy, Susan Sontag, and Angela Davis, 2012, etc.) pieces together the creation of the novel, its connection to colonialism, and how it has been interpreted ever since. The plot evolved from both notebook jottings (“Story: the man who doesn’t want to justify himself”) and events Camus witnessed as a reporter in Nazi-occupied Algeria; the spare, simple style was the result of years of painstaking rewriting. The first critics noted traces of James M. Cain and Franz Kafka, and Jean-Paul Sartre saw, or imagined, only the influence of himself and wrote a critique that turned The Stranger into the book that introduced existentialism to the West. (Camus, for his part, thought the book “anti-existentialist.”) Kaplan can be overly effusive at times—it overstates the case to say the novel “would change the history of modern literature”—but she assembles the facts with astute narrative skill. She is driven by the novel’s many abiding puzzles: who or what does Meursault represent? Is he a man who finds his own solipsistic integrity in the face of an irrational universe, or is he just a callous sociopath? While she doesn’t offer any final interpretation, her detective work deepens the understanding of a work whose power resides as much in what it doesn’t say as what it does.

A compelling companion to a novel that has stayed strange.

Pub Date: Sept. 22, 2016

ISBN: 978-0-226-24167-8

Page Count: 288

Publisher: Univ. of Chicago

Review Posted Online: July 3, 2016

Kirkus Reviews Issue: July 15, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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