Low (The Family Read-Aloud Christmas Treasury, 1989, etc.) has collected scary tales from all walks of life. Many cultures are represented here: African-American, Russian, Chinese-American, Norwegian, and more. In addition to original stories, there are adaptations of traditional folktales. Some of the greats appear, like ``the Headless Horseman,'' but all of these spookers are excellent. George Harland's retelling of Charles Dickens's ``Captain Murderer'' has little Charles's nursemaid giving him a truly gruesome account of a man who married many women and then ate them. The nurse concludes with, ``And he went on swelling, and turning bluer, and screaming louder than ever, until...at one o'clock in the morning...he BLEW up with a loud explosion. `Good night, Master Charles, and pleasant dreams.' '' Penelope Lively's ``Uninvited Guests'' are a bunch of ghosts who are more annoying than terrifying to the children they haunt. Laurence Yep contributes a funny and horrifying tale, ``Bedtime Snacks,'' in which the evil monster Dagger Claws kills the hero's Auntie and younger brother and claims to be eating chestnuts as he chomps ``crunch, crunch, crunch'' on their bones. (One quibble: Why did Wilson choose to depict the two Chinese brothers as blonds?) Fantastically spooky and literate. (Fiction/Stories. 8+)
Pub Date: Oct. 31, 1994
ISBN: 0-7868-0012-7
Page Count: 128
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1994
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Essential.
A guidebook for taking action against racism.
The clear title and bold, colorful illustrations will immediately draw attention to this book, designed to guide each reader on a personal journey to work to dismantle racism. In the author’s note, Jewell begins with explanations about word choice, including the use of the terms “folx,” because it is gender neutral, and “global majority,” noting that marginalized communities of color are actually the majority in the world. She also chooses to capitalize Black, Brown, and Indigenous as a way of centering these communities’ voices; "white" is not capitalized. Organized in four sections—identity, history, taking action, and working in solidarity—each chapter builds on the lessons of the previous section. Underlined words are defined in the glossary, but Jewell unpacks concepts around race in an accessible way, bringing attention to common misunderstandings. Activities are included at the end of each chapter; they are effective, prompting both self-reflection and action steps from readers. The activities are designed to not be written inside the actual book; instead Jewell invites readers to find a special notebook and favorite pen and use that throughout. Combining the disruption of common fallacies, spotlights on change makers, the author’s personal reflections, and a call to action, this powerful book has something for all young people no matter what stage they are at in terms of awareness or activism.
Essential. (author’s note, further reading, glossary, select bibliography) (Nonfiction. 10-18)Pub Date: Jan. 7, 2020
ISBN: 978-0-7112-4521-1
Page Count: 160
Publisher: Frances Lincoln
Review Posted Online: Sept. 14, 2019
Kirkus Reviews Issue: Oct. 1, 2019
BOOK REVIEW
PROFILES
Falters in its oversimplified portrayal of a complicated region and people.
Parallel storylines take readers through the lives of two young people on Sept. 11 in 2001 and 2019.
In the contemporary timeline, Reshmina is an Afghan girl living in foothills near the Pakistan border that are a battleground between the Taliban and U.S. armed forces. She is keen to improve her English while her twin brother, Pasoon, is inspired by the Taliban and wants to avenge their older sister, killed by an American bomb on her wedding day. Reshmina helps a wounded American soldier, making her village a Taliban target. In 2001, Brandon Chavez is spending the day with his father, who works at the World Trade Center’s Windows on the World restaurant. Brandon is heading to the underground mall when a plane piloted by al-Qaida hits the tower, and his father is among those killed. The two storylines develop in parallel through alternating chapters. Gratz’s deeply moving writing paints vivid images of the loss and fear of those who lived through the trauma of 9/11. However, this nuance doesn’t extend to the Afghan characters; Reshmina and Pasoon feel one-dimensional. Descriptions of the Taliban’s Afghan victims and Reshmina's gentle father notwithstanding, references to all young men eventually joining the Taliban and Pasoon's zeal for their cause counteract this messaging. Explanations for the U.S. military invasion of Afghanistan in the author’s note and in characters’ conversations too simplistically present the U.S. presence.
Falters in its oversimplified portrayal of a complicated region and people. (author’s note) (Fiction. 9-12)Pub Date: Feb. 2, 2021
ISBN: 978-1-338-24575-2
Page Count: 336
Publisher: Scholastic
Review Posted Online: Dec. 14, 2020
Kirkus Reviews Issue: Jan. 1, 2021
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