ONE HUNDRED DAYS

A story of teenage pregnancy, immigrant experience, and the mother-daughter relationship by Australian author Pung.

Karuna Kelly is the child of an unhappy marriage. Her father, a white, working-class Australian, dotes on her but has little regard for her mother, his mail-order bride from the Philippines. When they divorce, Karuna must live in a subsidized flat with her mother, whose narrow idea of health and success leads her to be critical and harsh. At 16, Karuna exercises her limited independence by having a fling with a local 19-year-old, becoming pregnant. The novel is written in Karuna's first-person voice as addressed to her baby, and the tone is raw and lyrical, hopeless and hopeful at the same time. Her mother controls her to an abusive extent, limiting her access to the outside world and rejecting medical advice in favor of old-time traditions. Karuna increasingly chafes against this treatment, aching for help but stymied in her attempts to get it. For such a slim book, the story is deeply complex. Pung shows people of different heritages mixing in this poor community, the insular quality of diaspora, and the different expectations placed on Karuna for being biracial. She also shows—and Karuna is aware of this to varying degrees—that Karuna's mother’s actions are driven by trauma and love, not maliciousness, and that this both excuses them and doesn’t. Karuna’s experience of pregnancy is intimately, vividly detailed. As it progresses, she becomes resigned and depressed, but when the baby is born, there is the possibility of change.

Subtle, difficult, lovely, and gorgeously written.