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SUCH A LITTLE MOUSE

Perfectly charming.

Four seasons, as seen through the eyes of a country mouse.

The book begins in spring. “In the middle of the meadow, under a clump of dandelions, there is a hole.” Out pops “[s]uch a little mouse,” with “ears pink as petals” and a tiny smile. He sees bees on clover blossoms and his own reflection in a puddle. Each season is represented in one exploratory day. In summer, the mouse sees beavers and a porcupine; in autumn, rustling leaves, honking geese and busy ants. When winter arrives, he sees his landscape covered in snow. “Brrrrrrr,” he says, retreating underground to his cozy burrow, which features tunnels and many discrete rooms—a bedroom, a kitchen and a fully stocked larder. All year he’s been storing seeds, watercress and acorns; now he can bake acorn bread and cook seed-and-watercress soup. Preschoolers will recognize the wooden alphabet blocks that form the base of his counter. Seasons and animals aren’t new topics, but Yue’s idyllic meadowscapes are full of clean, fresh air. From full-page to spot illustrations, from the breezy greens, blues and yellows of spring to the rustic browns of underground, her colors glow gently. Her lines have a light touch but feel grounding; fine details, shadings and a real feel for weather make this special. Shelve with Richard Scarry’s I Am a Bunny (1963) and Margaret Wise Brown and Garth Williams’ Little Fur Family (1946).

Perfectly charming. (Picture book. 3-5)

Pub Date: March 31, 2015

ISBN: 978-0-545-64929-2

Page Count: 32

Publisher: Orchard/Scholastic

Review Posted Online: Dec. 5, 2014

Kirkus Reviews Issue: Dec. 15, 2014

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PIG THE PUG

From the Pig the Pug series

Children who love dogs will find this amusing the first time through, but the humor palls quickly.

In rhyming text, a bug-eyed pug named Pig stubbornly refuses to share with the almost equally bug-eyed Trevor, the “wiener dog” he lives with—and soon gets his comeuppance.

The book begins showing the eponymous dog astride a large, red bowl of dog food, tongue hanging out and all four paws gripping the bowl. It perfectly matches the text: “Pig was a Pug / and I’m sorry to say, / he was greedy and selfish / in most every way.” A bit of humor comes through when the text plays on the adage about pigs by reminding readers that “pugs cannot fly.” However, most of the text is composed of trite, tired rhymes. The ending is a punch line whose funny picture will have little ones giggling. However, the ultimate “lesson” is a rather dark cynicism, more appropriate to children older than the age suggested by the rhymes, the art, and even the publisher. There may be some vicarious thrills for those who have witnessed excessive selfishness. The artwork is humorous, although Pig’s appearance is sometimes more grotesque than funny—particularly when he shouts at Trevor. Both male dogs’ facial expressions and body language add to the humor, and dog lovers will appreciate Pig’s array of colorful toys. Scansion is spotty, which should not happen in verses so dependent on rhythm and rhyme to entertain their young audience.

Children who love dogs will find this amusing the first time through, but the humor palls quickly. (Picture book. 3-5)

Pub Date: Dec. 27, 2016

ISBN: 978-1-338-11245-0

Page Count: 32

Publisher: Scholastic

Review Posted Online: Aug. 29, 2016

Kirkus Reviews Issue: Sept. 15, 2016

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GOOD NIGHT OWL

A funny tale about stress and an ever upping ante, with a comforting end.

Something is preventing Owl from falling asleep.

Owl leans back against his white pillow and headboard. “Squeek!” says something underneath the bed. Owl’s never heard that sound before, so he fastens his pink bathrobe and answers the front door. Nobody. It must be the wind; back to bed. Bidding himself goodnight, he climbs into bed—and hears the noise again. Time after time, he pops out of bed seeking the squeaker. Is it in the cupboard? He empties the shelves. Under the floor? He pulls up his floorboards. As Owl’s actions ratchet up—he destroys the roof and smashes the walls, all in search of the squeak—so does his anxiety. Not until he hunkers down in bed under the night sky (his bed is now outdoors, because the house’s roof and walls are gone), frantically clutching his pillow, does he see what readers have seen all along: a small, gray mouse. In simple illustrations with black outlines, textured coloring, and foreshortened perspective, Pizzoli plays mischievously with mouse placement. Sometimes the mouse is behind Owl or just out of his sightline; other times, the mouse is on a solid, orange-colored page across the spread from Owl, which removes him from Owl’s scene in a rather postmodern manner. Is the mouse toying with Owl? Who knows?

A funny tale about stress and an ever upping ante, with a comforting end. (Picture book. 3-5)

Pub Date: April 19, 2016

ISBN: 978-1-4847-1275-7

Page Count: 48

Publisher: Disney-Hyperion

Review Posted Online: Jan. 19, 2016

Kirkus Reviews Issue: Feb. 1, 2016

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