A touching story, both tough and tender.
A lively debut novel with a cheerfully cynical narrator, first published in Germany in 2008, from Russian-born Bronsky.
The focus of the narrative is the consciousness of Sascha Naimann, a 17-year-old émigré from Russia to Germany. She’s skeptical, witty, loving, intimidating, vulnerable—and understandably furious that her stepfather, Vadim, murdered her mother a few months before the story opens. What enrages her most is that he’s in prison and thus out of reach of her fury, but she nevertheless plots revenge with feverish intensity. Sascha is now more or less in charge of her two younger siblings, the precocious Anton and the adorable Alissa. They all live in the Emerald, a disjunctively named public-housing project that is scarcely the jewel of Berlin. After a breathless and almost admiring article about Vadim appears in a local rag, Sascha shows up at the editorial office to set the record straight. There she meets Volker, an older man she quickly becomes enamored with and seeks out as a refuge from her wretched life in the projects. When Volker takes Sascha home, she gets more than she bargained for because she also meets Volker’s son Felix, a weak and chronically ill teenager who in turn becomes smitten with Sascha. They both quickly lose their virginity, and later that same night Sascha is accosted by Volker. Although “nothing happens,” he’s ashamed of his behavior and still courts Sascha’s friendship. At one point Peter the Great invites Sascha to “Broken Glass Park,” a wooded area known as a place where sketchy characters smoke dope and do other dark deeds, but it also becomes a metaphor for the unassailably bleak landscape inhabited by the narrator. Sascha becomes infuriated when she learns that Vadim has supposedly repented for his crime and then hanged himself in his jail cell, but she also finds that this act liberates her into the possibility of a more positive existence, one not based on a desire for bloody vengeance.
A touching story, both tough and tender.Pub Date: April 1, 2010
ISBN: 978-1-933372-96-9
Page Count: 224
Publisher: Europa Editions
Review Posted Online: Sept. 21, 2010
Kirkus Reviews Issue: Feb. 15, 2010
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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