Still, the crime subplot is hardly thrilling: sexy romance with a few welcome twists.
Rich-kid psychotherapist and tough New York cop flirt it up, each playing a role for the unwitting other.
Less concerned with embarrassing pratfalls for her neurotic heroines than many of her chick-lit sisters, Kwitney (Till the Fat Lady Sings, 1992, etc.) still wants them to find love, and not a little bit of sex. The single girl here is Marlowe, a Manhattan psychologist with divorced parents providing her with distant affection and a trust fund. Joe is the NYPD detective with more crime smarts than tact. He calls Marlowe by accident during his investigation of a murder (first of several) in which the victim was snuffed out apparently after calling an escort service; thinking that Marlowe is actually an escort, he tries to get information out of her. Bored with her life and thinking she’ll sex up Joe’s as-yet-unpublished dissertation on role-playing by providing him with some good firsthand experience, Marlowe plays along, quickly warming up to the role of the hooker who’s about to retire but wouldn’t mind one last assignment. Fortunately, one of her therapy clients is exactly that kind of escort, providing her with plenty of real know-how. Joe comes off as a pretty typical Manhattan male, attractive enough to get most any woman he wants. He knows how to get Marlowe into bed and keep her happily there, but he has a sharp temper and an emotional core buried deeper than even a psychologist would want to dig. The relationship is fitful, playful and exciting, then cold and hostile, swinging wildly about as each tries to figure out what game the other is playing, all the while trying to find the killer to boot. Kwitney deserves credit for not throwing out illogical roadblocks, and there’s a refreshing absence of stock best-friend characters.
Still, the crime subplot is hardly thrilling: sexy romance with a few welcome twists.Pub Date: July 1, 2004
ISBN: 0-06-053079-0
Page Count: 320
Publisher: Avon/HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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