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NOTES ON YOUR SUDDEN DISAPPEARANCE

This tragicomic bildungsroman in the shadow of loss will invade your heart and hold on tight.

In her second novel, Espach portrays a family coming to terms with, and never coming to terms with, the loss of their eldest daughter.

As a young teenager, Sally Holt is in awe of her older sister, Kathy, who seems to have all the answers to life’s questions. But when Kathy dies in a car crash, Sally is left to grow up in the shadow of her loss. Espach makes an interesting choice in her title, describing the event not as a death but rather a disappearance. What’s the difference? The first means gone forever. The second is more ambiguous. Like Schrödinger’s cat, neither alive nor dead, the disappeared one lingers, always just about to walk in the door. As Sally progresses through high school and into adulthood, Kathy is frozen in place—a confidante she addresses throughout the novel. And Sally doesn’t beat around the bush. Her unflinchingly honest, sardonic take on the dissolution of her normal family life and coming to terms with loss makes the novel. It’s as if Sally’s parents have forgotten that they still have another daughter. When Sally’s mother turns to electroconvulsive shock therapy to blot out the memory of her first daughter, she loses the rest of her memory as well. Sally’s father engages in risky behavior, from alcoholism to cutting down old-growth trees in the yard (he found a tutorial on YouTube). Through Sally’s eyes, Espach crafts her characters with an emotional depth that powers the story while still leaving room for laughter. Espach’s character development also helps make the romantic plots feel fresh. The story of 28-year-old Sally’s relationship with her bland but stable fiance seems like it was pulled straight from the second half of Jeannette Walls’ The Glass Castle; a vanilla relationship provides the stability Sally needs even though they lack chemistry. On the other hand, Sally's relationship with Billy, Kathy’s boyfriend and the driver in the fateful accident, brings some Dawson’s Creek incestuousness.

This tragicomic bildungsroman in the shadow of loss will invade your heart and hold on tight.

Pub Date: May 17, 2022

ISBN: 978-1-250-82314-4

Page Count: 352

Publisher: Henry Holt

Review Posted Online: April 12, 2022

Kirkus Reviews Issue: May 1, 2022

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BURY OUR BONES IN THE MIDNIGHT SOIL

A beautiful meditation on queer identity against a supernatural backdrop.

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Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).

In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.

A beautiful meditation on queer identity against a supernatural backdrop.

Pub Date: June 10, 2025

ISBN: 9781250320520

Page Count: 544

Publisher: Tor

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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MY FRIENDS

A tender and moving portrait about the transcendent power of art and friendship.

An artwork’s value grows if you understand the stories of the people who inspired it.

Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”

A tender and moving portrait about the transcendent power of art and friendship.

Pub Date: May 6, 2025

ISBN: 9781982112820

Page Count: 448

Publisher: Atria

Review Posted Online: July 4, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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