An indispensable survey of the too-often neglected role of women in creating the music we all listen to.
A wide-ranging exploration of the role of women in popular music over the last century.
The book draws on the NPR project “Turning the Tables,” created by Ann Powers, Jill Sternheimer, and Alison Fensterstock, to document how women have been “musical pathfinders, innovators, and standard-bearers.” The text of the book consists mainly of segments from that show, along with bits from other NPR shows like “All Things Considered,” some only a few sentences long. They cover female artists from 1920s pioneers like Bessie Smith and Mother Maybelle Carter to midcentury icons including Ella Fitzgerald, Billie Holiday, and Barbra Streisand, rock stars Janis Joplin and Diana Ross, right up to modern-day chartbusters Beyonce and Taylor Swift, with lots of others from every school of music. And there is a fair bit of attention paid to non-U.S. performers such as South Africa’s Miriam Makeba, Iceland’s Björk, and Brazil’s Gal Costa. Of the longer essays, some are largely biographical, while others record the artist’s impact on the writer’s own life. The shorter ones vary between interview snippets and comments on specific records, the latter drawn from two lists created for the radio show (and included in the book) of “greatest albums” by women—one covering the whole history of recording, the other from the 21st century. Omissions are inevitable in such an ambitious project, but almost every reader is likely to find a host of new names to check out. Recommended for anyone who takes music—especially women’s music—seriously.
An indispensable survey of the too-often neglected role of women in creating the music we all listen to.Pub Date: Oct. 1, 2024
ISBN: 9780063270336
Page Count: 352
Publisher: HarperOne
Review Posted Online: Aug. 16, 2024
Kirkus Reviews Issue: Sept. 15, 2024
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
An engrossing and ominous chronicle, told by a master of the form.
Documenting perilous times.
In his most recent behind-the-scenes account of political power and how it is wielded, Woodward synthesizes several narrative strands, from the Jan. 6, 2021, insurrection and Hamas’ Oct. 7, 2023, attack on Israel to the 2024 presidential campaign. Woodward’s clear, gripping storytelling benefits from his legendary access to prominent figures and a structure of propulsive chapters. The run-up to Russia’s invasion of Ukraine is tense (if occasionally repetitive), as a cast of geopolitical insiders try to divine Vladimir Putin’s intent: “Doubt among allies, the public and among Ukrainians meant valuable time and space for Putin to maneuver.” Against this backdrop, U.S. Sen. Lindsey Graham implores Donald Trump to run again, notwithstanding the former president’s denial of his 2020 defeat. This provides unwelcome distraction for President Biden, portrayed as a thoughtful, compassionate lifetime politico who could not outrace time, as demonstrated in the June 2024 debate. Throughout, Trump’s prevarications and his supporters’ cynicism provide an unsettling counterpoint to warnings provided by everyone from former Joint Chief of Staff Mark Milley to Vice President Kamala Harris, who calls a second Trump term a likely “death knell for American democracy.” The author’s ambitious scope shows him at the top of his capabilities. He concludes with these unsettling words: “Based on my reporting, Trump’s language and conduct has at times presented risks to national security—both during his presidency and afterward.”
An engrossing and ominous chronicle, told by a master of the form.Pub Date: Oct. 15, 2024
ISBN: 9781668052273
Page Count: 448
Publisher: Simon & Schuster
Review Posted Online: Oct. 15, 2024
Kirkus Reviews Issue: Dec. 15, 2024
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