by Alison McGhee ; illustrated by Harry Bliss ‧ RELEASE DATE: Aug. 5, 2014
The contrast between the sister’s understanding and depicted reality is not enough to maintain this 32-page joke.
In the companion title to A Very Brave Witch (2006), the gutsy, green-skinned girl hopes to teach her little sister to be courageous as well.
McGhee positions the older, unnamed witch girl as narrator, reacting to events with a rather smug superiority. She wants Witchling to “study the humans and learn their mysterious ways,” but at the sight and then taste of candy, Witchling’s reaction is “yum” instead of the prescribed “yuck.” At first the older sister is proud of the little one’s bravery, but readers will see that all Witchling’s developed is a sweet tooth. Parents can relate! Misadventures follow as Witchling takes off on a broom to participate in Halloween trick-or-treating. Bliss infuses humor into his watercolor-and-ink scenes by including an anxious yellow cat who interjects “Holy catnip” and “Holy whiskers” in thought bubbles. When Witchling ends up with an overflowing, too-heavy hat full of candy, her older sister swoops in. But the extra weight is too much for the broom, and Witchling must dump out her great haul to the delight of the humans below. Although well-intentioned and not without charming moments, the book lacks a punch in the ending. The older witch is proud of her sister, but it is unclear for what. Taking off on her own?
The contrast between the sister’s understanding and depicted reality is not enough to maintain this 32-page joke. (Picture book. 4-7)Pub Date: Aug. 5, 2014
ISBN: 978-1-4424-78336
Page Count: 32
Publisher: Paula Wiseman/Simon & Schuster
Review Posted Online: July 15, 2014
Kirkus Reviews Issue: Aug. 1, 2014
Share your opinion of this book
More by Alison McGhee
BOOK REVIEW
BOOK REVIEW
by Alison McGhee ; illustrated by Sean Qualls
BOOK REVIEW
by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Dec. 24, 2019
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
Share your opinion of this book
More by Lucy Ruth Cummins
BOOK REVIEW
by Drew Daywalt ; illustrated by Lucy Ruth Cummins
BOOK REVIEW
by Drew Daywalt ; illustrated by Oliver Jeffers
BOOK REVIEW
by Drew Daywalt ; illustrated by Oliver Jeffers
More About This Book
SEEN & HEARD
SEEN & HEARD
by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
Share your opinion of this book
More by Marilyn Sadler
BOOK REVIEW
by Marilyn Sadler ; illustrated by Stephanie Laberis
BOOK REVIEW
by Eric Comstock & Marilyn Sadler ; illustrated by Eric Comstock
BOOK REVIEW
by Marilyn Sadler ; illustrated by Ard Hoyt
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.