A sugary take, distinguishable only in minor ways from those illustrated by Maja Dusíková (2012), Kuniko Craft (2002), and a...
Borders of lacy wisteria and thorny wild roses add elegant atmosphere to this sweet version of the classic tale.
Sage and Gibbs’ rendition, based on the Grimms’ “Briar Rose,” ends with the marriage and goes for the empty calories, equally careless with details and eager to leave behind the grimmer aspects of the original. The “spindles” ordered burned in the wake of dark-skinned Malevola’s curse are spinning wheels in the pictures, as is the item on which Princess Rosebud at last (somehow) pricks her finger; when Prince Florizel arrives a century later, he wakes her (by kissing her hand). The joyous couple goes off to a happily ever after, thus avoiding the rape, secret marriage, and cannibalism featured in old versions of the story. Gibb makes effective use of silhouettes and also of a wordless spread to underscore the tale’s more melodramatic moments. Elsewhere, Rosebud and her royal parents, along with a flutter of tiny gossamer-winged fairies, float and gesture gracefully in sumptuous pink and pastel settings framed by lush (if sometimes thorny) floral garlands.
A sugary take, distinguishable only in minor ways from those illustrated by Maja Dusíková (2012), Kuniko Craft (2002), and a fairy coachful of like romantics. (Picture book/fairy tale. 6-8)Pub Date: Oct. 1, 2015
ISBN: 978-0-8075-7351-8
Page Count: 32
Publisher: Whitman
Review Posted Online: July 26, 2015
Kirkus Reviews Issue: Aug. 15, 2015
BOOK REVIEW
Score one for cleanliness. Like (almost) all Munsch, funny as it stands but even better read aloud, with lots of exaggerated...
The master of the manic patterned tale offers a newly buffed version of his first published book, with appropriately gloppy new illustrations.
Like the previous four iterations (orig. 1979; revised 2004, 2006, 2009), the plot remains intact through minor changes in wording: Each time young Jule Ann ventures outside in clean clothes, a nefarious mud puddle leaps out of a tree or off the roof to get her “completely all over muddy” and necessitate a vigorous parental scrubbing. Petricic gives the amorphous mud monster a particularly tarry look and texture in his scribbly, high-energy cartoon scenes. It's a formidable opponent, but the two bars of smelly soap that the resourceful child at last chucks at her attacker splatter it over the page and send it sputtering into permanent retreat.
Score one for cleanliness. Like (almost) all Munsch, funny as it stands but even better read aloud, with lots of exaggerated sound effects. (Picture book. 6-8)Pub Date: Sept. 1, 2012
ISBN: 978-1-55451-427-4
Page Count: 32
Publisher: Annick Press
Review Posted Online: Aug. 7, 2012
Kirkus Reviews Issue: Sept. 1, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
There are many parallel legends – the seal women, for example, with their strange sad longings – but none is more direct than this American Indian story of a girl who is carried away in a horses’ stampede…to ride thenceforth by the side of a beautiful stallion who leads the wild horses. The girl had always loved horses, and seemed to understand them “in a special way”; a year after her disappearance her people find her riding beside the stallion, calf in tow, and take her home despite his strong resistance. But she is unhappy and returns to the stallion; after that, a beautiful mare is seen riding always beside him. Goble tells the story soberly, allowing it to settle, to find its own level. The illustrations are in the familiar striking Goble style, but softened out here and there with masses of flowers and foliage – suitable perhaps for the switch in subject matter from war to love, but we miss the spanking clean design of Custer’s Last Battle and The Fetterman Fight. 6-7
Pub Date: Aug. 1, 1978
ISBN: 0689845049
Page Count: -
Publisher: Bradbury
Review Posted Online: April 26, 2012
Kirkus Reviews Issue: Sept. 1, 1978
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