edited by Alissa Quart & David Wallis ‧ RELEASE DATE: Oct. 3, 2023
A penetrating collection that is certain to challenge the readers’ views of those living in poverty.
An anthology presented by the Economic Hardship Reporting Project that explores social inequality and economic injustice in the U.S.
The EHRP is “a nonprofit organization that keeps journalists, essayists, and photographers in the national conversation on economic injustice.” Edited by executive director Quart and managing director Wallis, this collection of essays, poems, and photographs, originally published in leading magazines and journals, highlights the valuable insights gained by these journalists in confronting their own hardships. By publishing these works, the EHRP seeks to mobilize people “to fight for economic justice.” The book is divided into five sections: The Body, Home, Family, Work, and Class. These emotionally charged and heart-wrenching narratives are both wide-ranging and powerfully rendered. Journalists from a variety of backgrounds share their experiences, including a woman who was forced to perform her own abortion following the shutdown of clinics in Texas and a 40-something man who donated plasma in order to pay the rent. One woman was homeless for two years, and she demonstrates the anxiety of feeling constantly on alert as well as the cyclical effects sleep deprivation has on homeless individuals. Another journalist shares how her assumptions about people without houses changed following her experience taking in a couple in Los Angeles. Other topics include inequalities in maternal health care for the uninsured and underinsured; the dangers low-wage workers are often expected to endure, which were particularly evident during the Covid-19 pandemic; struggles with racial identity; and the power of shared community. In addition to the editors, other contributors include Camonghne Felix, Kim Kelly, Elizabeth Rubin, Michelle Tea, Mitchell S. Jackson, and Astra Taylor. “The writers represented here,” writes Quart, “may have lost their jobs, their homes, or even the narrative thread of their lives, but in confronting those hardships they have gained valuable insights into problems facing millions in this country.”
A penetrating collection that is certain to challenge the readers’ views of those living in poverty.Pub Date: Oct. 3, 2023
ISBN: 9781642599657
Page Count: 368
Publisher: Haymarket Books
Review Posted Online: June 21, 2023
Kirkus Reviews Issue: July 15, 2023
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Walter Isaacson ‧ RELEASE DATE: Sept. 12, 2023
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.
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A warts-and-all portrait of the famed techno-entrepreneur—and the warts are nearly beyond counting.
To call Elon Musk (b. 1971) “mercurial” is to undervalue the term; to call him a genius is incorrect. Instead, Musk has a gift for leveraging the genius of others in order to make things work. When they don’t, writes eminent biographer Isaacson, it’s because the notoriously headstrong Musk is so sure of himself that he charges ahead against the advice of others: “He does not like to share power.” In this sharp-edged biography, the author likens Musk to an earlier biographical subject, Steve Jobs. Given Musk’s recent political turn, born of the me-first libertarianism of the very rich, however, Henry Ford also comes to mind. What emerges clearly is that Musk, who may or may not have Asperger’s syndrome (“Empathy did not come naturally”), has nurtured several obsessions for years, apart from a passion for the letter X as both a brand and personal name. He firmly believes that “all requirements should be treated as recommendations”; that it is his destiny to make humankind a multi-planetary civilization through innovations in space travel; that government is generally an impediment and that “the thought police are gaining power”; and that “a maniacal sense of urgency” should guide his businesses. That need for speed has led to undeniable successes in beating schedules and competitors, but it has also wrought disaster: One of the most telling anecdotes in the book concerns Musk’s “demon mode” order to relocate thousands of Twitter servers from Sacramento to Portland at breakneck speed, which trashed big parts of the system for months. To judge by Isaacson’s account, that may have been by design, for Musk’s idea of creative destruction seems to mean mostly chaos.
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.Pub Date: Sept. 12, 2023
ISBN: 9781982181284
Page Count: 688
Publisher: Simon & Schuster
Review Posted Online: Sept. 12, 2023
Kirkus Reviews Issue: Oct. 15, 2023
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