Told with restraint and ease, this book is about a romantic legend that haunts the ubiquitous pottery design. It begins with an invitation: ``Fly with me, over China, and down into the landscape of the willow pattern.'' Readers are thrust into the blue-and-white realm of lovers Koong Shee and Chang, respectively, a wealthy mandarin's daughter and a poor servant. But Koong Shee, betrothed to an old merchant, is locked away by her father; Chang rescues her on her wedding day and they embark on a happy life in hiding. Ultimately, the mandarin finds them and throws them into a maze beneath his Great Pagoda; when he and the lovers die, their world becomes as eternal and changeless as the now-familiar willow pattern. Any child who has ever imagined a journey into a two- dimensional expanse will be carried away by the passion Drummond brings to his subject. His blending of still elements from the pottery with looser, livelier drawings of the story's pursuits have a lyrical grace, although the order of events in text and pictures sometimes disagrees (spot vignettes of later action in the tale occasionally precede larger visuals of earlier incidents). An author's note in the end warns readers of the ``truth'' about this pattern and legend, notably, their British origins. A charmed work, told with conviction and a sure hand. (Picture book. 4-8)
Pub Date: Sept. 1, 1992
ISBN: 1-55858-171-5
Page Count: 24
Publisher: NorthSouth
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
An invitation to wonder, imagine and look at everything (humans included) in a new way.
A young boy sees things a little differently than others.
Noah can see patterns in the dust when it sparkles in the sunlight. And if he puts his nose to the ground, he can smell the “green tang of the ants in the grass.” His most favorite thing of all, however, is to read. Noah has endless curiosity about how and why things work. Books open the door to those answers. But there is one question the books do not explain. When the wind comes whistling by, where does it go? Noah decides to find out. In a chase that has a slight element of danger—wind, after all, is unpredictable—Noah runs down streets, across bridges, near a highway, until the wind lifts him off his feet. Cowman’s gusty wisps show each stream of air turning a different jewel tone, swirling all around. The ribbons gently bring Noah home, setting him down under the same thinking tree where he began. Did it really happen? Worthington’s sensitive exploration leaves readers with their own set of questions and perhaps gratitude for all types of perspective. An author’s note mentions children on the autism spectrum but widens to include all who feel a little different.
An invitation to wonder, imagine and look at everything (humans included) in a new way. (Picture book. 4-8)Pub Date: April 14, 2015
ISBN: 978-1-60554-356-7
Page Count: 32
Publisher: Redleaf Lane
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
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