by Allan Peterkin ; illustrated by Sandhya Prabhat ‧ RELEASE DATE: Jan. 11, 2022
A helpful title for kids growing up in the social media age.
A fame-obsessed peacock gains much-needed perspective.
A purple peacock at the zoo loves having his photo taken by visitors and showing off his beautiful plumage. A young girl named Sketch with unnaturally pink skin is the only one uninterested in taking his photo; instead, she regularly visits Peacock to draw pictures of him in her notebook and tell him stories. Hungry for even more fame, Peacock escapes the zoo. He parades down the street on the roof of a school bus, strutting, posing, and garnering more and more attention. He wanders into a library, where everyone except the stereotypically stern librarian marvels at him. But being famous, it turns out, is exhausting; luckily, worn-out Peacock runs into Sketch, who begs him to “go back home.” Back at the zoo, Peacock loses his fan base when his feathers start to molt, but loyal Sketch is there to comfort him as the seasons change. Peterkin’s straightforward yet moving cautionary tale is capped off by backmatter urging caregivers to use the “3 C’s” of social media—content, contact, and conduct—as a framework for discussing “the benefits and risks of social media” with children. Prabhat’s cartoon-style digital illustrations depict animal and human figures alike with oversized, round eyes and vibrant colors and use close-ups to capture key emotional moments. Background characters have a range of skin tones from deep brown to tan.
A helpful title for kids growing up in the social media age. (Picture book. 4-7)Pub Date: Jan. 11, 2022
ISBN: 978-1-4338-3279-6
Page Count: 32
Publisher: Magination/American Psychological Association
Review Posted Online: Jan. 11, 2022
Kirkus Reviews Issue: Feb. 1, 2022
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Feb. 1, 2017
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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