Another absorbing, albeit low-key foray into the world of Orthodox Jews, by the author of two story collections: Total Immersion (1989) and The Family Markowitz (1996). Covering two years (1976—78) in the life of the devout community led by Rav Elijah Kirshner, Goodman chronicles spiritual and psychological journeys taken by various group members. The principal events occur in the Kirshners’ summer retreat, the upstate town of Kaaterskill, with a few key scenes in their New York City neighborhood of Washington Heights. Model Orthodox wife and mother Elizabeth Shulman has always found the Rav’s strict laws as natural as the air she breathes, but now her experiences running a kosher store in Kaaterskill expose tensions between Orthodox Judaism’s strictly defined role for women and Elizabeth’s ambitions for herself and her daughters. As the Rav’s health worsens, he softens toward his apostate son, scholarly, skeptical Jeremy, to the distress of long-suffering Isaiah, who has spent years as their father’s unthanked amanuensis and putative but unacknowledged successor. Conflicts also simmer between Andras Melish, whose primary loyalty is to his elderly sisters, and his much younger wife, Nina; between the determined-to-be-pious Nina and their rebellious daughter, Renee; and in the breast of Elizabeth’s daughter Chani, fascinated by modern Israel even though the Kirshners don—t consider it a true Jewish homeland. Though all Goodman’s people are believably complex and emotionally engaging, the best character here is the surprisingly cynical Rav himself, slightly contemptuous of disciples who lack his grounding in the more worldly culture of pre-Holocaust Europe. Subplots involving Kaaterskill’s Yankee residents and a local real estate developer are less interesting, and, as in The Family Markowitz, Goodman doesn’t develop much narrative momentum. The only really dramatic moment comes when Elizabeth loses rabbinical permission to operate her store; otherwise the author relies on quiet moments of tentative reconciliation to wrap up her story. You don’t read Goodman for thrills, but for rich characterizations and faultless evocation of a cloistered culture—pleasures in ample supply here.
Pub Date: Aug. 14, 1998
ISBN: 0-385-32839-1
Page Count: 304
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1998
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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