Vivid characters populate a riveting narrative.
A Dickensian world revisited.
Historical fiction writer Epstein rescues Dickens’ Fagin from his reputation as a slimy character who exploits orphans, training them in thievery in the clotted, filthy streets of Victorian London. Epstein’s Jacob Fagin is a lonely, emotionally wounded man; a master pickpocket to be sure, but also a victim of virulent antisemitism from all classes of English society, which treats the “skinny red-haired Jew” as vermin. Growing up in poverty in a Jewish enclave with a vigilant, caring mother, he takes Hebrew lessons with a neighborhood rabbi in the mornings, and, by the time he’s 11, wheedles his way into becoming the apprentice to a deft, gaudy pickpocket. It’s a skill, he realizes, “he must learn by doing,” and soon practice perfects his sleight of hand. He’s 16 when his mother dies, succumbing to whatever pestilence has swept through their mean streets—cholera, typhus, consumption, scarlet fever, influenza—and he’s left homeless. Epstein traces his fortunes and misfortunes as he manages to survive, settling into an abandoned building that becomes a refuge for orphans and runaways who want to learn his trade: Jack Dawkins, known as the Artful Dodger; Toby Crackit; Charley Bates; briefly, Oliver Twist; and the incorrigible Bill Sikes, who’s fled an abusive, alcoholic father. Sikes graduates from pickpocket to housebreaker, from a swaggering boy to a violent man so filled with anger that Jacob comes to fear for his life. Epstein captures the bravado and vulnerabilities of Jacob’s motley crew of orphans, and the gritty ambience of the alleys, cellars, and seedy pubs they inhabit. She brings to her portrait of Fagin—and even Sikes—a tenderness and empathy that renders them as palpable: men, haunted by loss, longing to be loved.
Vivid characters populate a riveting narrative.Pub Date: Feb. 25, 2025
ISBN: 9780385550703
Page Count: 336
Publisher: Doubleday
Review Posted Online: Nov. 9, 2024
Kirkus Reviews Issue: Dec. 15, 2024
BOOK REVIEW
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
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