retold by Allison Grace MacDonald ; illustrated by Michael Hague ‧ RELEASE DATE: Oct. 1, 2013
It could be argued that simplifying and softening these tales does neither the stories nor their audience any good, but for...
Fourteen familiar tales are retold in their simplest and most bloodless forms for reading aloud to very young children—an approach somewhat subverted by Hague’s powerful and somewhat surreal pictures.
It opens with “Beauty and the Beast,” and the Beast is genuinely terrifying. Cinderella’s sisters are forgiven so long as they “promise to be good.” Rumpelstiltskin does not tear himself in two but disappears in a huff. Snow White’s lips are “red as a rose,” and the evil queen’s fate is elided. The stories are kept quite short, and usually, as in “The Ugly Duckling” and “Jack and the Beanstalk,” the moral or lesson is writ large. Perhaps the least familiar tale is that of “The Seven Ravens,” in which a girl saves her seven brothers, who had been turned birds—an act that involves her cutting off her little finger. Hague’s illustrations are rich in saturated color and sinuous line, and they owe a debt to both the painter Gustav Klimt and the illustrator Arthur Rackham. Some of the motifs seem familiar from other images in Hague’s long career of illustrating fairy tales.
It could be argued that simplifying and softening these tales does neither the stories nor their audience any good, but for those who want short and sweet versions, they are here. (Fairy tales. 4-7)Pub Date: Oct. 1, 2013
ISBN: 978-0-688-14010-6
Page Count: 128
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 13, 2013
Kirkus Reviews Issue: Oct. 1, 2013
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by Hans Christian Andersen ; retold by Allison Grace MacDonald ; illustrated by Bagram Ibatoulline
by Jake Gyllenhaal & Greta Caruso ; illustrated by Dan Santat ‧ RELEASE DATE: Sept. 5, 2023
Warm but underdone.
In this picture book from actor Gyllenhaal and his partner, Caruso, a child and his uncle bond on a fantastic journey.
Leo, an avid dancer, is dismayed when Uncle Mo visits—he’s in town for a “rubber band convention.” Illustrations show both with wavy brown hair and light tan skin. Not only does Leo think his uncle is rather dull, he’s also leery of Uncle Mo’s many rules. A rather abrupt narrative shift occurs when the pair inexplicably drive into another dimension. Here they encounter Great-Aunt Gloria (who is very tall and presents Black) and Uncle Munkle Carbunkle (who is very short and light-skinned), who guide them through the Secret Society of Aunts & Uncles. Unimpressed with Uncle Mo, Great-Aunt Gloria says he must take a quiz on “Auntieology and Uncleology.” After several wrong answers, Uncle Mo has a final chance at redemption: He must state his nephew’s favorite activity. When Leo springs into action to dance for his clueless uncle, a mishap leaves him mortified and un-bespectacled. Enter Uncle Mo to save the day by using a rubber band to secure Leo’s glasses. While Santat’s energetic illustrations do much to clarify the narrative, they can’t fully make up for the disjointed storytelling—it’s never clear why the two have entered this dimension or why Leo is suddenly so eager to help Uncle Mo. (This book was reviewed digitally.)
Warm but underdone. (Picture book. 4-7)Pub Date: Sept. 5, 2023
ISBN: 9781250776990
Page Count: 48
Publisher: Feiwel & Friends
Review Posted Online: July 13, 2023
Kirkus Reviews Issue: Aug. 1, 2023
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by Lisa Robinson ; illustrated by Lucy Fleming ‧ RELEASE DATE: Oct. 8, 2019
A delicious triumph over fear of night creatures.
Pippa conquers a fear of the creatures that emerge from her storybooks at night.
Pippa’s “wonderfully wild imagination” can sometimes run “a little TOO wild.” During the day, she wears her “armor” and is a force to be reckoned with. But in bed at night, Pippa worries about “villains and monsters and beasts.” Sharp-toothed and -taloned shadows, dragons, and pirates emerge from her storybooks like genies from a bottle, just to scare her. Pippa flees to her parents’ room only to be brought back time and again. Finally, Pippa decides that she “needs a plan” to “get rid of them once and for all.” She decides to slip a written invitation into every book, and that night, they all come out. She tries subduing them with a lasso, an eye patch, and a sombrero, but she is defeated. Next, she tries “sashes and sequins and bows,” throwing the fashion pieces on the monsters, who…“begin to pose and primp and preen.” After that success, their fashion show becomes a nightly ritual. Clever Pippa’s transformation from scared victim of her own imagination to leader of the monster pack feels fairly sudden, but it’s satisfying nonetheless. The cartoony illustrations effectively use dynamic strokes, shadow, and light to capture action on the page and the feeling of Pippa's fears taking over her real space. Pippa and her parents are brown-skinned with curls of various textures.
A delicious triumph over fear of night creatures. (Picture book. 4-7)Pub Date: Oct. 8, 2019
ISBN: 978-1-5420-9300-2
Page Count: 32
Publisher: Two Lions
Review Posted Online: June 24, 2019
Kirkus Reviews Issue: July 15, 2019
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by Lisa Robinson ; illustrated by Hadley Hooper
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by Lisa Robinson ; illustrated by Lauren Simkin Berke
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by Lisa Robinson ; illustrated by Rebecca Green
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