A festive holiday celebration.
Jews in Morocco celebrate the end of Passover.
Miriam and her family live in Fès in Morocco, and as Passover concludes, she and her mother walk to the house of a Muslim family for flour. Miriam meets Jasmine, a girl her own age, and watches as her mother gifts Jasmine’s mother with a jar of fig jam in exchange for a sack of flour before inviting the family to join them for the Mimouna celebration. They hurry home, where Miriam helps set a table filled with food and symbols of good fortune, such as five gold coins. The highlights of the table are the moufleta that her mother fries. The paper-thin pancakes are spread with butter and jam and are a special treat at the end of a week of eating unleavened matzo. It is also the custom for families to go from house to house partaking of festive dinners and sharing in blessings for the coming year, and Jasmine joins in. Jasmine then invites Miriam to her upcoming Ramadan party, but Miriam declines. Her family is planning to immigrate to Israel, as indeed they do. The Mimouna holiday is relatively recent, about 250 years old, and its origins are unclear. There are currently celebrations in Israel and in New York. Families unfamiliar with Mimouna will welcome the discovery. Those whose cultures involve frying bread and visiting neighbors on holidays will also find connections here. The colorful illustrations are adorned with decorative patterns, and, yum, a recipe is included. (This book was reviewed digitally with 10.6-by-16.6-inch double-page spreads viewed at 58.6% of actual size.)
A festive holiday celebration. (afterword) (Picture book. 4-8)Pub Date: Nov. 3, 2020
ISBN: 978-1-77306-397-3
Page Count: 36
Publisher: Groundwood
Review Posted Online: Sept. 14, 2020
Kirkus Reviews Issue: Oct. 1, 2020
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
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Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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