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HERE

I CAN BE MINDFUL

A gentle child’s-eye view of mindfulness.

A child is present in the moment, ready to experience the now.

“Some days the world is a warm gold sun. Some days it is a green grass wave. Some days it is a bright blue ball. Some days it is a cool gray stone.” Some days are good; others are hard. But our young narrator knows that if they are sad, anxious, alone, or frustrated, there are ways they can center themself. Looking, hearing, tasting, smelling, and feeling are ways to remain present and here. Other options include being active, drawing, writing, voicing their feelings, doing something to help another, and remembering they are loved. Condie’s simple, encouraging text is supported by Kim’s bright digital illustrations that have a watercolor look. Soft, rounded images depict a tan-skinned, short-haired, barefoot child marching through the world, meeting it head-on, and experiencing their here and now. The little one cuts an endearing figure as they stride purposefully against a verdant landscape, bite into a crunchy apple, embrace a parent, and gaze up at the clouds. Pairing this with Tomie dePaola’s Look and Be Grateful (2015) would make for an affirming storytime. (This book was reviewed digitally.)

A gentle child’s-eye view of mindfulness. (Picture book. 2-6)

Pub Date: May 2, 2023

ISBN: 9780593327142

Page Count: 32

Publisher: Viking

Review Posted Online: Feb. 24, 2023

Kirkus Reviews Issue: March 15, 2023

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IT'S NOT EASY BEING A GHOST

From the It's Not Easy Being series

Too cute to be spooky indeed but most certainly sweet.

A ghost longs to be scary, but none of the creepy personas she tries on fit.

Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.

Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)

Pub Date: Aug. 13, 2024

ISBN: 9780593702901

Page Count: 32

Publisher: Random House

Review Posted Online: May 17, 2024

Kirkus Reviews Issue: June 15, 2024

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STOP! BOT!

The visual details invite interaction, making it a good choice for storytime or solo inspection.

It’s a quiet day, until….

“I have a bot!” An excited child’s happiness is short-lived, for the remote-controlled toy escapes its wireless tether and begins an ascent up the side of a skyscraper. The building’s doorman launches a race to recover the bot, and soon everyone wants to help. Attempts to retrieve the bot, which is rendered as a red rectangle with a propeller, arms, and a rudimentary face, go from the mundanity of a broom to the absurd—a bright orange beehive hairdo and a person-sized Venus’ flytrap are just some of the silly implements the building’s occupants use to try to rein in the bot. Each double-page spread reveals another level of the building—and further visual hijinks—as the bot makes its way to the top, where an unexpected hero waits (keep an eye out for falling bananas). The tall, narrow trim size echoes the shape of the skyscraper, providing a sense of height as the bot rises. Text is minimal; short declarations in tidy black dialogue bubbles with white courier-style typeface leave the primary-colored, blocky art to effectively carry the story. Facial expressions—both human and bot—are comically spot-on. The bot-owning child has light skin, and there are several people of color among those trying to rescue the bot. One person wears a kufi.

The visual details invite interaction, making it a good choice for storytime or solo inspection. (Picture book. 2-6)

Pub Date: July 23, 2019

ISBN: 978-0-425-28881-8

Page Count: 40

Publisher: Viking

Review Posted Online: March 30, 2019

Kirkus Reviews Issue: April 15, 2019

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