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THE ONLY GIRL IN TOWN

A high-concept premise that falls short in its execution.

A teenage girl finds herself alone after everyone else in her town mysteriously disappears, leaving her scrambling to figure out how to find them all.

One late summer day, everybody in July Fielding’s town disappears. She is left to piece together what happened, following a series of cryptic signs she finds around town urging her to “GET THEM BACK.” The narrative moves back and forth between July’s present and the events of the summer before, when her relationship with her best friend, cross-country team co-captain Sydney, starts to fracture due to a combination of jealousy over July’s new relationship with a cute boy called Sam and sweet up-and-coming freshman Ella’s threatening to overtake Syd’s status as star of the track team. The team members participate in a ritual in which they jump off a cliff into the rocky waters below at the end of their Friday practice runs. Though Ella is reluctant, Syd pressures her to jump. Short, frenetically paced sections move the story along quickly, and there is much foreshadowing pointing to something terrible that occurred at the end of that summer, which may be the key to July’s current predicament, but there is much misdirection too. Ultimately this is a story without enough setup to make the turn the book takes in the end feel fully developed or earned. All characters read white.

A high-concept premise that falls short in its execution. (Fiction. 14-18)

Pub Date: Sept. 19, 2023

ISBN: 9780593327173

Page Count: 320

Publisher: Dutton

Review Posted Online: July 27, 2023

Kirkus Reviews Issue: Aug. 1, 2023

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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WE WERE LIARS

From the We Were Liars series

Riveting, brutal and beautifully told.

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A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.

Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.

Riveting, brutal and beautifully told. (Fiction. 14 & up)

Pub Date: May 13, 2014

ISBN: 978-0-385-74126-2

Page Count: 240

Publisher: Delacorte

Review Posted Online: March 16, 2014

Kirkus Reviews Issue: April 1, 2014

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