Next book

DANCING WITH CUBA

A MEMOIR OF THE REVOLUTION

Written with dignity and without rhetoric or undue emotion: when this author flays her feelings, it’s because she is utterly...

The momentous year in Cuba that transformed the author from dancer into one of the most charringly honest journalists at work today.

In New York City at the end of the 1960s, Mexican-born Guillermoprieto (The Heart That Bleeds, 1994, etc.) was studying modern dance—described in prose of revelatory fluidity—with Martha Graham. She then worked with Merce Cunningham, who threw a bucket of cold water on her prospects as a performer but offered her a chance to teach dance in Cuba. This opened up a whole new road, though it was not an easy one. At times the romance and emotion of post-revolutionary Cuba overwhelmed Guillermoprieto, leading to periods of confusion and despair, even suicidal tendencies. Cuba was a cauldron: she tasted the “fragile, vaporous elegance” of Havana, but she also experienced the horror of international politics, especially the war in Vietnam. “I was incurably altered by the consciousness of living in an obscene world. . . . Day by day I simply lost the logic of things and their pleasure.” Like many others, the author was seduced by the infectious decency of the revolution, admiring its attempt to (in the words of a Cuban friend) “transform this Yankee whorehouse into a real country.” Yet Guillermoprieto deplored the government’s suspicion of the arts and was repulsed by Che Guevara’s death wish. This lively, sharp history of the Cuban revolution also chronicles an intense personal confrontation: How will the author conduct her days? What lies in her future? Her prose has an odd and beautiful syncopation; it’s unhurried and trim, artistic without affection, on the alert to question and commend. Here are struck the sparks that will result in Guillermoprieto’s peerless reporting for the New Yorker and the New York Review of Books on the politics of Latin America.

Written with dignity and without rhetoric or undue emotion: when this author flays her feelings, it’s because she is utterly alive and in protest.

Pub Date: Feb. 10, 2004

ISBN: 0-375-42093-2

Page Count: 304

Publisher: Pantheon

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

Next book

NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

Next book

GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

Close Quickview