by A.M. Monson & illustrated by Lynn Munsinger ‧ RELEASE DATE: Feb. 1, 1997
After being repeatedly thrashed at checkers, Mouse suggests to Cat a game of crazy eights. Cat insists on checkers, and Mouse huffs off homeward. Cat places an advertisement for a new best friend in the newspaper. Mole responds, but he's a chowhound who makes a hash of Cat's checkerboard. ``You cannot be a slob and be my best friend,'' Cat states. Next comes Otter, a hyperactive sportsman who causes a commotion by hurling balls around Cat's house before he is shown the door. Last comes Raccoon, a skateboarding enthusiast, who nearly kills Cat by sending him skittering into heavy traffic on a board, then laughs when Cat crashes. ``You cannot laugh at me and be my best friend.'' Cat and Mouse reunite—for a game of crazy eights. Munsinger's watercolors add charm to the tale, whose ending will be clear to most preschoolers from the outset. If, as Monson (The Secret of Sanctuary Island, 1991, etc.) suggests, the making of friends is an exercise in mutual concessions, Cat is less than accommodating toward Mole and Otter (skip mean-spirited Raccoon). The final lesson is exclusionary: ``Best friend'' means the friend Cat can best tolerate in a field of rejects. (Picture book. 4-8)
Pub Date: Feb. 1, 1997
ISBN: 0-8037-1483-1
Page Count: 32
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1996
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by Loren Long & illustrated by Loren Long ‧ RELEASE DATE: Sept. 1, 2009
Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)
Pub Date: Sept. 1, 2009
ISBN: 978-0-399-25248-8
Page Count: 40
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
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SEEN & HEARD
by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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