A spare but affecting novel about love and war during the restless decades.
Two girls, entranced with each other and hopelessly intertwined, grow up in the political chaos of Greece.
Another fine entry in the University of Rochester’s Open Letter series of literary translations, this cerebral novel by prizewinning novelist Michalopoulou (I’d Like, 2008, etc.) recounts a friendship of the kind that marks us for life. Maria is just a child in the late 1970s when she's uprooted from the home she treasures in Nigeria and returns with her parents to crowded, unstable Athens. Her life is changed forever when she meets Anna, an angelic-looking classmate who is also a refugee, albeit from vogue Paris and not the wilds of Africa. Anna is a strange creature whose outer beauty disguises a passionate, ruthless and politically volatile mind. The novel tracks their unpredictable relationship through their adolescence in the 1980s to one character's untimely end (though it should be fairly obvious that the provocative title—Maria’s chosen title for the novel she imagines writing about Anna—is metaphorical rather than literal). It does take decades for Maria to see past Anna’s many betrayals, childish tests and impulsive leaps into their country’s radical politics and take her for what she really is. Here’s a notable moment in Maria’s blooming self-awareness: “I’m beginning to understand the mechanism behind her charm: she does something insane, something out of keeping with her beauty, her image, the way she dresses. Then she uses that conspicuous act like a blanket: she wraps herself up in it, becomes that act. In the eyes of others, Anna is an allegory for generosity, courage, resourcefulness. She does things that occur to other people only fleetingly, enacts scenarios from the realm of instinct. She charms, she torments, she curses, she kills.” A deft translation from the Greek by Emmerich helps Michalopoulou bring this emotional love-hate relationship to life.
A spare but affecting novel about love and war during the restless decades.Pub Date: May 20, 2014
ISBN: 978-1-934824-74-0
Page Count: 257
Publisher: Open Letter
Review Posted Online: May 6, 2014
Kirkus Reviews Issue: May 15, 2014
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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