An excellent choice for children who are dealing with the loss of a loved one or just learning about death.
Death is a particularly difficult topic to discuss with children, but this book helps to broach the subject gently and with respect for young people’s sensibilities.
The book opens with the statement “My dear one. Life, like spring, is far too short” accompanied by a picture of a flower with some petals falling off and blowing in the wind. This double-page spread is followed by a series of patterned statements that describe what life will be like for readers when the person they love is no longer alive, both describing reality and offering comfort. “I will not always be…” is coupled with, “But you’ll find me…” in places and moments such as “the flicker of candlelight, the pause between Please and Thank you.” The repeated phrase “I will not always be…” and the ellipsis take on a double meaning, a gentle reminder that one day this person the child loves “will not always be.” The book does not mention an afterlife or make ecclesiastical references; however, birds, butterflies, and candle flames in the illustrations are known to symbolize those who have died in some cultures. As there is no significance given to their presence in the text, this book is beneficial for both children of varying faiths and those who come from homes without a faith tradition. The illustrations are done in a palette of bright but calming pastels, and the children in the illustrations have skin ranging from white to light brown and varying hair types and colors. (This book was reviewed digitally with 10-by-16-inch double-page spreads viewed at 75% of actual size.)
An excellent choice for children who are dealing with the loss of a loved one or just learning about death. (Picture book. 4-8)Pub Date: Sept. 22, 2020
ISBN: 978-1-4338-3126-3
Page Count: 32
Publisher: Magination/American Psychological Association
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
A friendship tale with solid messaging and plenty of fun sounds to share.
In this latest in the series, Little Blue Truck, driven by pal Toad, is challenged to a countryside race by Racer Red, a sleek, low-slung vehicle.
Blue agrees, and the race is on. Although the two start off “hood to hood / and wheel to wheel,” they switch positions often as they speed their way over dusty country roads. Blue’s farm friends follow along to share in the excitement and shout out encouragement; adult readers will have fun voicing the various animal sounds. Short rhyming verses on each page and several strategic page turns add drama to the narrative, but soft, mottled effects in the otherwise colorful illustrations keep the competition from becoming too intense. Racer Red crosses the finish line first, but Blue is a gracious loser, happy to have worked hard. That’s a new concept for Racer Red, who’s laser-focused on victory but takes Blue’s words (“win or lose, it’s fun to try!”) to heart—a revelation that may lead to worthwhile storytime discussions. When Blue’s farm animal friends hop into the truck for the ride home, Racer Red tags along and learns a second lesson, one about speed. “Fast is fun, / and slow is too, / as long as you’re / with friends.”
A friendship tale with solid messaging and plenty of fun sounds to share. (Picture book. 4-7)Pub Date: March 25, 2025
ISBN: 9780063387843
Page Count: 32
Publisher: Clarion/HarperCollins
Review Posted Online: Jan. 18, 2025
Kirkus Reviews Issue: Feb. 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
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