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HOTEL FLORIDA

TRUTH, LOVE, AND DEATH IN THE SPANISH CIVIL WAR

War, sex, friendship, betrayal, celebrity, rivalry, jealousy, idealism, foolishness and foppery—all this and more gather in...

Vaill (Somewhere: The Life of Jerome Robbins, 2006, etc.) follows a handful of characters (some are celebrities, some not) through the Spanish Civil War.

Subdividing her chapters by months, the author sets herself a difficult task: chasing Ernest Hemingway, Martha Gellhorn, Arturo Barea, Ilsa Kulcsar, Endre Friedmann (aka Robert Capa) and Gerta Pohorylle through the political and military chaos in Spain and elsewhere. Among the many popping up for cameos are Stephen Spender, Eric Blair (George Orwell) and John Dos Passos. Although it will be difficult for readers to turn their eyes away from the power couple (Hemingway and Gellhorn), Vaill does a good job of getting us deeply interested in the lives, experiences and, sadly, the deaths of some of the others. It helps her cause, too, that she elected to portray Hemingway in the most unflattering (and deserved?) light. We see his pettiness and his professional jealousy; we watch him swinging away at people in bars. Early in the conflict, we also see Capa and other photographers staging acting scenes (including, in a way, his famous image of a wounded warrior in midfall on a Spanish hillside) and Gellhorn fabricating a story about a lynching in the American South. It was certainly a different time in journalism. Vaill shows us images of incredible courage—especially Capa’s—and political intrigue (the Russians were especially perfidious—and Stalin’s reeking presence) and the absolute confusion that reigned. (The truth concealed itself quite well.) She also points us toward Hitler, and we witness his invasion of Austria and his designs on Czechoslovakia. A touching epilogue records the deaths of all her principals.

War, sex, friendship, betrayal, celebrity, rivalry, jealousy, idealism, foolishness and foppery—all this and more gather in the lobby of Madrid’s Hotel Florida.

Pub Date: April 1, 2014

ISBN: 978-0-374-17299-2

Page Count: 464

Publisher: Farrar, Straus and Giroux

Review Posted Online: Jan. 3, 2014

Kirkus Reviews Issue: Jan. 15, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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