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I LOVE I HATE I MISS MY SISTER

Quiet yet thought-provoking.

A teen grapples with both her own identity and the role identity played in her sister’s death in this French import.

It’s been one year since Muslim Sohane’s younger sister, Djelila, was burned alive by religious extremists in their apartment building in the projects. She recounts the incidents leading up to Djelila’s death, using present tense to place readers directly in the scenes and past tense as she recalls what happened from her current state of grief. Sohane and Djelila remain fierce allies, but Sohane questioningly (and sometimes jealously) notices that her sister has started to break away from their family’s Muslim traditions by sporting tight clothes and drinking alcohol. She, on the other hand, explores her religious and feminist beliefs (“Is it possible to be a woman and Muslim at the same time?”) by wearing the hijab. Both sisters’ actions are noticed immediately. Djelila becomes a source of contempt by a Taliban-like gang, while Sohane is expelled from high school for wearing a headscarf thanks to a French law that requires strict separation of church and state. The story, based on actual events, never becomes a question of whether Sohane should wear her headscarf but ruminates on how young people cope with being siblings, second-generation immigrants, feminists and believers. Rather than overwhelming the narration, these themes twine together powerfully.

Quiet yet thought-provoking. (glossary, author’s note) (Fiction. 14-18)

Pub Date: Aug. 5, 2014

ISBN: 978-0-385-74376-1

Page Count: 160

Publisher: Delacorte

Review Posted Online: May 18, 2014

Kirkus Reviews Issue: June 1, 2014

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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CARAVAL

From the Caraval series , Vol. 1

Immersive and engaging, despite some flaws, and destined to capture imaginations.

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  • New York Times Bestseller

Magic, mystery, and love intertwine and invite in this newest take on the “enchanted circus” trope.

Sisters raised by their abusive father, a governor of a colonial backwater in a world vaguely reminiscent of the late 18th century, Scarlett and Donatella each long for something more. Scarlett, olive-skinned, dark of hair and attitude, longs for Caraval, the fabled, magical circus helmed by the possibly evil Master Legend Santos, while blonde, sunny Tella finds comfort in drink and the embraces of various men. A slightly awkward start, with inconsistencies of attitude and setting, rapidly smooths out when they, along with handsome “golden-brown” sailor Julian, flee to Caraval on the eve of Scarlett’s arranged marriage. Tella disappears, and Scarlett must navigate a nighttime world of magic to find her. Caraval delights the senses: beautiful and scary, described in luscious prose, this is a show readers will wish they could enter. Dresses can be purchased for secrets or days of life; clocks can become doors; bridges move: this is an inventive and original circus, laced with an edge of horror. A double love story, one sensual romance and the other sisterly loyalty, anchors the plot, but the real star here is Caraval and its secrets.

Immersive and engaging, despite some flaws, and destined to capture imaginations. (Fantasy. 14 & up)

Pub Date: Jan. 31, 2017

ISBN: 978-1-250-09525-1

Page Count: 416

Publisher: Flatiron Books

Review Posted Online: Sept. 18, 2016

Kirkus Reviews Issue: Oct. 1, 2016

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