An action-packed thrill ride and stellar head trip.
Continuing Illuminae’s (2015) story, Kaufman and Kristoff explore what went down on Jump Station Heimdall while the spaceship Hypatia was trying to get there.
This time around, the found-footage–style collage narration (instant messages, radio conversations, video transcripts, diary pages, and the like) is framed as evidence at a tribunal investigating the activities of BeiTech Industries. The station commander’s white teenage daughter, Hanna, and her white drug dealer, Nik, avoid death and capture when a multiracial commando team of BeiTech “auditors” board Heimdall to take over its wormhole (which badly needs maintenance) for a BeiTech drone assault fleet sent to eliminate Kerenza’s witnesses. With lots of sneaking, combat, quick thinking, and the crucial help of Nik’s younger cousin Ella (a quippy, brilliant hacker disabled by a space plague she barely survived), they throw everything they have against their better-armed and -trained assailants. But the drug operation relies on mind-eating, multiheaded, predatory parasites with psychoactive venom, and with the cartel out of action, the carefully tended newborns get loose on the station, and are they ever hungry! Tension snowballs with each new small complication, resulting in a read harder to put down with each page. Despite superficial similarities (protagonists and formatting—not all final art seen) to Illuminae, forward plot motion and surprises right up to the cliffhanger ending keep this its own book.
An action-packed thrill ride and stellar head trip. (Science fiction. 13 & up)Pub Date: Oct. 18, 2016
ISBN: 978-0-553-49915-5
Page Count: 672
Publisher: Knopf
Review Posted Online: July 1, 2016
Kirkus Reviews Issue: July 15, 2016
A thrilling, beautifully written page-turner.
A young woman pursues a dangerous quest in late-1800s Egypt in this sequel to What the River Knows (2023).
After Inez Olivera was nearly murdered while assisting with her uncle’s archaeological expedition in Egypt, Tío Ricardo is eager to ship her home to safety in Argentina. But Inez burns with the need to stay and make sure that those who committed crimes against her family are held responsible. Unfortunately, the law precludes Inez, as a young unmarried woman, from accessing her inheritance (needed to fund her quest for justice) without her guardian uncle’s permission. Whitford Hayes, a former British soldier and her tío’s aide-de-camp, proposes marriage, which could solve her problems. But can Inez trust the secretive Whit? More danger and intrigue lurk at every turn in this exciting duology closer, which fully addresses the first entry’s jaw-dropping cliffhanger. The well-paced plot encompasses many fresh, new adventures and betrayals in this reimagined historical setting in which ancient magic abounds and not everyone or everything is what it seems. Even more captivating, however, is the complicated, nuanced love story between Whit and Inez. Their chemistry sizzles, but their relationship is achingly layered with both profound loyalty and deep deception. As their journey unearths new enemies and priceless archaeological finds, the duo must try to trust each other enough to survive.
A thrilling, beautifully written page-turner. (cast of characters, map, timeline) (Historical fantasy. 14-18)Pub Date: Nov. 5, 2024
ISBN: 9781250822994
Page Count: 400
Publisher: Wednesday Books
Review Posted Online: Aug. 17, 2024
Kirkus Reviews Issue: Sept. 15, 2024
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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