by Amin Maalouf ; translated by Frank Wynne ‧ RELEASE DATE: Sept. 1, 2020
A Camus for our time, Maalouf urges that civilization is “fragile, shimmering, evanescent”—and perhaps doomed.
The Lebanese-born French author offers a pensive, lyrical meditation on a dying world.
The author of brilliant novels and books of essays such as Disordered World, Maalouf announces his theme at the outset: “I was born hale and healthy into the arms of a dying civilization, and I have spent my whole life feeling that I am surviving, with no credit or blame, when around me so many things were falling into ruin.” At first, he means the vanished civilization of the Levant, where Christians, Jews, and Arabs once lived together but that has since collapsed in ethnocidal battles and sectarian wars. “The Levantine ideal,” writes Maalouf, “as my people experienced it, as I have always wanted to live it, demands that each person assume full responsibility for his own, and a little responsibility for others.” No more. Born in Beirut in 1949, a Maronite Christian, Maalouf lived in the Egypt of Gamal Abdel Nasser, “the last colossus of the Arab world,” who ultimately failed in his mission to unite it; in adulthood, Maalouf moved to Paris, where he has lived for decades. Egypt, he writes, “was doomed to crumble,” while Lebanon’s ecumenicalism gave way to narrow self-interest and appeals to outsiders of one’s own ethnicity for support—Arabs calling for Arabs and Jews for Jews, which Maalouf likens to various Swiss cantons calling on their German, French, and Italian neighbors for intercession, which would spell doom for the Swiss Confederation. The analogy is apposite, for the rest of the world is also suffering collapse. “In the era in which we live,” writes the author, “despair can sweep across oceans, scale walls, cross any frontier, physical or mental, and it is not easily contained.” Ideals of democracy, citizenship, environmental health, world peace, and the like now fall before nationalism, authoritarianism, and the decline of private life in the Orwellian present.
A Camus for our time, Maalouf urges that civilization is “fragile, shimmering, evanescent”—and perhaps doomed.Pub Date: Sept. 1, 2020
ISBN: 978-1-64286-075-7
Page Count: 336
Publisher: World Editions
Review Posted Online: June 29, 2020
Kirkus Reviews Issue: July 15, 2020
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by Amin Maalouf ; translated by Natasha Lehrer
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by Amin Maalouf translated by George Miller
by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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