by Amin Maalouf ‧ RELEASE DATE: Nov. 1, 2002
Splendid, sophisticated fun: Maalouf has a fine grasp of history and a natural’s gift for narrative and adventure.
A clever picaresque from Maalouf (In the Name of Identity, 2001, etc.) takes us from the Middle East across all of Europe in search of an enchanted book.
In 1665, much of the Christian world became obsessed with the notion that the three last digits of the upcoming year corresponded exactly to the Sign of the Beast (666) as recorded in the Book of the Apocalypse. In the Middle East, then as always a crossroads of diverse cultures and religions, this fear became intertwined with a widespread belief that an erudite Muslim had discovered the 100th name of God (the Koran gives 99) and that whoever learned it would become immortal and invincible. The problem was that no one could find the book that the man had written. Balthasar Embriaco, a bookseller in the Levantine town of Gibelet, had heard all these rumors for years, but he put little store in tales of the end of the world and frankly doubted that the book ever existed—until a local beggar gives him a copy of it. Before he can make up his mind about its authenticity, however, an envoy of the French king buys it from him for an astounding sum and disappears. Balthasar’s scholarly nephew Jaber is horrified that his uncle has let this treasure escape and convinces him to pursue the envoy and retrieve the book. Reluctantly, Balthasar agrees to journey to Constantinople in the search, but he discovers after an arduous journey that the envoy died en route, and that the book has gone missing. Clearly, something is afoot, and so Balthasar and his entourage continue their search, compared to which the search for the Maltese Falcon was a scavenger hunt. Does he find it? Of course. Are the prophecies true? Well, let’s just say that the world didn’t end in 1666.
Splendid, sophisticated fun: Maalouf has a fine grasp of history and a natural’s gift for narrative and adventure.Pub Date: Nov. 1, 2002
ISBN: 1-55970-666-X
Page Count: 400
Publisher: Arcade
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2002
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by Genki Kawamura ; translated by Eric Selland ‧ RELEASE DATE: March 12, 2019
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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