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ON THE ISLE OF ANTIOCH

A beguiling, lyrical work of speculative fiction by a writer of international importance.

Lebanese-born French author Maalouf delivers an elegant portrait of a dying world.

Alec Zander, a pseudonymous genius who’s given up law and economics for cartooning, lives in self-imposed exile on a tiny island off the coast of France “called, curiously enough, Antioch.” He’s lived there alone for years, courtesy of a chance purchase his father made at the end of World War II, but now he has a neighbor, an archly mysterious woman named, meaningfully, Ève. As Maalouf’s novel opens, another mystery is at play: The electricity is out, the satellites are dead, the radio is silent. When it finally comes crackling back a few days later, it brings dire news of nuclear war—one that hasn’t gone to the worst-case scenario thanks to the intervention of a kind of parallel human species who have powers beyond those of ordinary mortals. All—like Agamemnon, a fellow Alec knows from a bar on a neighboring island—have Greek names. Talking to an old friend well placed in the U.S. government, Alec learns of one such emissary to Washington: “He says he’s called Demosthenes….He certainly doesn’t look much like any Greeks I know. He has copper-colored skin and speaks English like he’s spent his entire life in Massachusetts.” Hmmm. These other-humans seem to mean well, but for their troubles, “the uninvited,” ruled by a demigoddess and for all purposes immortal, come under attack by the very people they’re trying to save, and the world spirals into further madness. Maalouf’s near-future yarn is reminiscent of Arturo Pérez-Reverte in its matter-of-fact presentation of the improbable, but the overarching warning is quite of our world and time: As the ever-pensive Ève remarks, “Future historians will say our civilization was so worm-eaten that it took only a flick of the wrist for the whole edifice to collapse.”

A beguiling, lyrical work of speculative fiction by a writer of international importance.

Pub Date: Dec. 5, 2023

ISBN: 9781642861341

Page Count: 288

Publisher: World Editions

Review Posted Online: Oct. 20, 2023

Kirkus Reviews Issue: Nov. 15, 2023

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TWICE

Have tissues ready as you read this. A small package will do.

A love story about a life of second chances.

In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.

Have tissues ready as you read this. A small package will do.

Pub Date: Oct. 7, 2025

ISBN: 9780062406682

Page Count: 320

Publisher: Harper/HarperCollins

Review Posted Online: July 18, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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THE MAN WHO LIVED UNDERGROUND

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

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A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.

Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

Pub Date: April 20, 2021

ISBN: 978-1-59853-676-8

Page Count: 240

Publisher: Library of America

Review Posted Online: March 16, 2021

Kirkus Reviews Issue: April 1, 2021

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