A masterful writer in his own subtle, thoughtful, demanding genre.
A professor’s Berlin sojourn finds him meandering through its streets and storied past.
As in his two most recent novels, Chaudhuri places his main character in a city and lets him wander physically and mentally. The narrator is a 43-year-old academic on a four-month stint as a visiting professor at an unnamed Berlin university. In his flat, once occupied by Kenzaburo Oe, he’s bemused by the German toilet’s landing platform and realizes that the Nobelist once sat on the same throne. This is typical of Chaudhuri, the intersections of present and past and an understated humor, even when there’s a butt in the joke. The narrator meets a Bangladeshi poet who shows him around Berlin and then disappears for a while, to be replaced by a woman who brings him to a venue where people have been coming for decades to dance to older songs. Also constantly present with punctuating artifacts is the city’s sense of history: the site of the Berlin Wall; the World War II “rotten tooth” relic of a church’s bombed tower; a spot from which Jews were sent to the camps. These are “spaces in which you sense time, but also inhabit the viewpoint of those who’ve already been there”—leading to perspectives that are “intense but momentary.” Many points in this drifting chronicle are briefly intense, a product of the narrator’s close observation and glinting insights. A mere 140 pages, with some holding just one or two paragraphs, the book is only physically slight. It grips the mind, as much with appreciation as with frustration, and teases one into parsing what is real or autofiction, what is changeless or transient. A reader may even enjoy feeling a bit at sea, like the narrator: “I’ve lost my bearings—not in the city; in its history.”
A masterful writer in his own subtle, thoughtful, demanding genre.Pub Date: Sept. 6, 2022
ISBN: 978-1-68137-708-7
Page Count: 140
Publisher: New York Review Books
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
PERSPECTIVES
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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