Peerless Israeli storyteller Oz presents 18 months in the life of painfully self-contained Yoel Raviv, retired from the Israeli Secret Service and trying to escape the ghosts of his professional life and his dead wife—a woman he's still struggling to know. Bedeviled by memories of his wife Ivria, accidentally electrocuted in his absence on business in Helsinki; of his servitude to agency contact Yirmiyahu Cordovero ("Le Patron"); and of an obsessively recurring series of frozen images—the statue of a cat mysteriously springing free of its base; the figure of Edgar Linton from Wuthering Heights; a wheelchair-bound beggar; a copy of Mrs. Dalloway left behind in Helsinki—Yoel reacts in two conflicting ways. Frantic to be left alone, he changes his name, retreats to a new house in a Tel Aviv suburb, and refuses a posting to Bangkok. At the same time, he reaches out equally frantically to his strong-willed, epileptic daughter Netta, about to be conscripted, and to his quarreling mother and mother-in-law, by asking them all to live with him; he also begins a robotic friendship with real-estate agent Arik Krantz and an equally passive love affair with next-door neighbor Annemarie Vermont, shepherded by her oppressively approving bother Ralph. Floating through this tangle of relationships, Yoel keeps telling himself that things will work out, that tomorrow is another day, but he's wrong—as he sees when his mother and Netta's lover Duby Krantz tell him off for his inability to accept people without controlling them, and when he's unable to get forgiven by the father of the agent killed in Bangkok in his place. Slowly, slowly, Oz thaws out his likable, paralyzed hero and returns him to provisional membership in the human race. A meditative third-person confessional of hauntingly quiet power—and a treasure for readers who think contemporary novels carry too much plot.
Pub Date: March 7, 1991
ISBN: 15-190499-5
Page Count: -
Publisher: Harcourt
Review Posted Online: May 19, 2010
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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