The stunning, beaded illustrations are clearly the best-in-show winners of this thematic collection of 25 poems celebrating canines. In their collective picture book debut, the four artists have created beaded illustrations using rows of tiny beads on colored backgrounds with clever additions of larger beads, buttons, and charms interspersed for variety. Their beaded dogs (and a few companion cats) have plenty of humor and personality, including some imaginative pooches: a sheriff dog in a ten-gallon hat, an astrodog in a silver spaceship, and two scuba-diving dogs. In her first published work, Sklansky offers a variety of poetic forms, mostly rhymed, all written in first person from a dog’s point of view. Several poems examine a dog’s dreams or nightmares, while others focus on standard features of a dog’s life (fleas, baths, bones, balls, digging holes, and affection for human owners). The creative design includes different type treatments, borders, backgrounds, and illustration placement that make the most of this unusual medium. The final page includes additional facts about the beadwork and short bios with tiny self-portraits of the bead artists. (Poetry. 5-9)
Pub Date: Sept. 1, 2002
ISBN: 0-8050-6673-X
Page Count: 32
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2002
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The wriggly narrator of Diary of a Worm (2003) puts in occasional appearances, but it’s his arachnid buddy who takes center stage here, with terse, tongue-in-cheek comments on his likes (his close friend Fly, Charlotte’s Web), his dislikes (vacuums, people with big feet), nervous encounters with a huge Daddy Longlegs, his extended family—which includes a Grandpa more than willing to share hard-won wisdom (The secret to a long, happy life: “Never fall asleep in a shoe.”)—and mishaps both at spider school and on the human playground. Bliss endows his garden-dwellers with faces and the odd hat or other accessory, and creates cozy webs or burrows colorfully decorated with corks, scraps, plastic toys and other human detritus. Spider closes with the notion that we could all get along, “just like me and Fly,” if we but got to know one another. Once again, brilliantly hilarious. (Picture book. 6-8)
Pub Date: Aug. 1, 2005
ISBN: 0-06-000153-4
Page Count: 40
Publisher: Joanna Cotler/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2005
Rylant (Henry and Mudge and the Sneaky Crackers, 1998, etc.) slips into a sentimental mode for this latest outing of the boy and his dog, as she sends Mudge and Henry and his parents off on a camping trip. Each character is attended to, each personality sketched in a few brief words: Henry's mother is the camping veteran with outdoor savvy; Henry's father doesn't know a tent stake from a marshmallow fork, but he's got a guitar for campfire entertainment; and the principals are their usual ready-for-fun selves. There are sappy moments, e.g., after an evening of star- gazing, Rylant sends the family off to bed with: ``Everyone slept safe and sound and there were no bears, no scares. Just the clean smell of trees . . . and wonderful green dreams.'' With its nice tempo, the story is as toasty as its campfire and swaddled in Stevenson's trusty artwork. (Fiction. 6-8)
Pub Date: April 1, 1998
ISBN: 0-689-81175-6
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1998
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