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SKELETON BONES & GOBLIN GROANS

POEMS FOR HALLOWEEN

Halloween happenings of the mildly scary sort are the thematic focus of this collection of 21 short poems. Most of the poems rhyme, although a few are non-rhyming, in the style (but not the exact form) of haiku. Many of the poems are excellent; a few have some amateurish rhymes or sing-song rhythm; and one or two need a touch of Halloween magic to come alive. If the quality of the poems is a little uneven, the volume’s polished design and enchanting beaded illustrations maintain a high level of quality and interest throughout. Dismukes exhibits a fine sense of style and graphic design in her jewel-toned fabric collages embellished with buttons and rows of beads. Her Halloween creatures are a delight: Frankenstein, a green-faced witch, a Cyclops, skeletons, spiders, and ghostly trick-or-treaters in costume. A clever black cat with a curly tail makes repeated but slightly altered appearances, sporting tiny matching fangs for a vampire poem and just one eye when the Cyclops comes to call. Kids who enjoy the spooky side of Halloween will find this a treat. (Poetry. 5-8)

Pub Date: Aug. 1, 2004

ISBN: 0-8050-7046-X

Page Count: 32

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2004

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HOW TO CATCH A MONSTER

From the How To Catch… series

Only for dedicated fans of the series.

When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.

“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.

Only for dedicated fans of the series. (Picture book. 5-8)

Pub Date: Sept. 1, 2017

ISBN: 978-1-4926-4894-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: July 14, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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ALL THE COLORS OF THE EARTH

This heavily earnest celebration of multi-ethnicity combines full-bleed paintings of smiling children, viewed through a golden haze dancing, playing, planting seedlings, and the like, with a hyperbolic, disconnected text—``Dark as leopard spots, light as sand,/Children buzz with laughter that kisses our land...''— printed in wavy lines. Literal-minded readers may have trouble with the author's premise, that ``Children come in all the colors of the earth and sky and sea'' (green? blue?), and most of the children here, though of diverse and mixed racial ancestry, wear shorts and T-shirts and seem to be about the same age. Hamanaka has chosen a worthy theme, but she develops it without the humor or imagination that animates her Screen of Frogs (1993). (Picture book. 5-7)

Pub Date: Aug. 1, 1994

ISBN: 0-688-11131-9

Page Count: 32

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1994

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