Ehrlich’s transcendent verse translation renders these familiar stories as shocking, perplexing and remarkably...
“Anyone who reads the Torah will see that a lot of it doesn’t make sense,” Ehrlich writes in her introduction. “It is repetitive, inconsistent, even contradictory.” Oddly enough, though, a writer who’s skeptical about the Bible turns out to be the perfect person to translate it.
This Bible begins: “At the beginning, the earth was wild and empty….” She’s changed the traditional phrasing just enough that some readers will find it more approachable, and others will find it surprising and unfamiliar. She describes Moses’ basket as “a little ark of papyrus,” reminding readers of how much danger the baby was in, floating in the middle of the Nile. Nevins’ paintings may also change the way people think about the text. When Jacob wrestles an angel, the two of them look almost like one being. The pictures seem to be painted with more colors than exist in nature. They glow. Not every word of the Bible has been included, the text having been pared down to a series of interconnected stories. The book of Numbers is suddenly much shorter and much sadder, consisting of a sobering numbering of the dead. Even readers who are not at all skeptical about the Bible may find that they need this version; it’s so beautiful and new.
Ehrlich’s transcendent verse translation renders these familiar stories as shocking, perplexing and remarkably compelling—just as they always have been. (map, genealogy, endnotes) (Religion. 7-18)Pub Date: Aug. 27, 2013
ISBN: 978-0-7636-4395-9
Page Count: 224
Publisher: Candlewick
Review Posted Online: July 2, 2013
Kirkus Reviews Issue: July 15, 2013
A tender, honest, and beautifully written story about family, faith, and friendship.
Louisa Emerson copes with the sadness and stress of her alcoholic dad, remarried mom, new stepdad, and a move to the suburbs.
Fifth grader Lou loves her small apartment in San Francisco; her mom; her 15-year-old sister, Casey; her BFF, Beth; sad books; and, despite the pain and uncertainty he causes, her usually drunk dad. Lou’s life is being uprooted, however, because Mom is marrying oversolicitous Steve, a man from church who proposed after only three dates. Since Steve lives in his large childhood home in Pacifica—and Lou’s family is barely getting by financially in the city—they are moving in with Steve, and only Mom and Steve seem happy about that. On her 11th birthday, Lou anonymously receives a guitar that she believes is from her dad. After the Emerson girls move, Lou befriends Marcus and Shannon, a charming couple with three young kids who live on Steve’s block. They quickly become the sisters’ trusted adults, and Marcus gives Lou guitar lessons. In her middle-grade debut, noted YA author Zarr writes exactly the sort of kid Lou herself favors: one that thoughtfully tackles tough issues like substance abuse, parental abandonment, the difficulties of change, and blended families. The story also features church and Christian themes in a refreshingly positive and affirming way. Lou’s family is White; supporting characters include Chinese American Beth and Filipino American Marcus.
A tender, honest, and beautifully written story about family, faith, and friendship. (Fiction. 9-13)Pub Date: March 15, 2022
ISBN: 978-0-06-304492-0
Page Count: 368
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Nov. 29, 2021
Kirkus Reviews Issue: Dec. 15, 2021
PERSPECTIVES
A beautiful, powerful reflection on a tragic history.
In spare verse, Lowry reflects on moments in her childhood, including the bombings of Pearl Harbor and Hiroshima.
When she was a child, Lowry played at Waikiki Beach with her grandmother while her father filmed. In the old home movie, the USS Arizona appears through the mist on the horizon. Looking back at her childhood in Hawaii and then Japan, Lowry reflects on the bombings that began and ended a war and how they affected and connected everyone involved. In Part 1, she shares the lives and actions of sailors at Pearl Harbor. Part 2 is stories of civilians in Hiroshima affected by the bombing. Part 3 presents her own experience as an American in Japan shortly after the war ended. The poems bring the haunting human scale of war to the forefront, like the Christmas cards a sailor sent days before he died or the 4-year-old who was buried with his red tricycle after Hiroshima. All the personal stories—of sailors, civilians, and Lowry herself—are grounding. There is heartbreak and hope, reminding readers to reflect on the past to create a more peaceful future. Lowry uses a variety of poetry styles, identifying some, such as triolet and haiku. Pak’s graphite illustrations are like still shots of history, adding to the emotion and somber feeling. He includes some sailors of color among the mostly white U.S. forces; Lowry is white.
A beautiful, powerful reflection on a tragic history. (author’s note, bibliography) (Memoir/poetry. 10-14)Pub Date: April 7, 2020
ISBN: 978-0-358-12940-0
Page Count: 80
Publisher: HMH Books
Review Posted Online: Jan. 11, 2020
Kirkus Reviews Issue: Feb. 1, 2020
PROFILES
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