A novel of grief, love, and truth that offers insights about a family and a satisfying resolution.
A daughter comes to terms with family secrets as she deals with the effects of two tragedies from New York’s recent history.
In this novel, Impellizzeri (Lawyer Interrupted, 2016, etc.) follows two parallel narratives, those of Lu Roselli, dealing with the aftermath of a disaster and unraveling family mysteries, and her mother, Mari Guarez Roselli, a Guatemalan immigrant thinking back over her life while trapped in a coma. In 2012, Lu, ambivalent about a planned trip to her mother’s homeland, misses her flight, which crashes into her Queens neighborhood shortly after takeoff, leaving Mari injured and unconscious. Lu deals with her survivor’s guilt—an emotion she has lived with for more than a decade after her father and twin sister died on 9/11—while waiting to see if Mari will recover. Lu makes plans for the baby she did not know that her mother was carrying and sorts through the growing riddles of her family history and her complicated mother-daughter relationship. As Lu’s narrative progresses, the chapters alternate with those told from Mari’s perspective, flashbacks to her experiences in Guatemala and New York that serve to answer the questions Lu raises. Lu eventually travels to Guatemala, where she meets the nun who tells her the story Mari is revealing to the reader and also meets a man who becomes the first friend she has made in years. Impellizzeri draws on Guatemalan traditions to develop the book’s recurring motifs, particularly the practice of sharing worries with tiny dolls and the Mayan calendar projection that the end of the world will occur in December 2012, demonstrating a solid knowledge of the country’s history and culture. Thanks to Mari’s narration, the reader ends up with a more complete picture of the Roselli family than Lu does, an unusual choice but one that makes for an emotionally rewarding conclusion. The prose is serviceable, and the plot, though driven by complex layers of feelings and relationships, is fast-paced and not unnecessarily complicated.
A novel of grief, love, and truth that offers insights about a family and a satisfying resolution.Pub Date: Dec. 1, 2016
ISBN: 978-1-942545-65-1
Page Count: 312
Publisher: Wyatt-MacKenzie Publishing
Review Posted Online: Aug. 31, 2016
Kirkus Reviews Issue: Nov. 1, 2016
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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