by Amy Krouse Rosenthal ‧ RELEASE DATE: Aug. 9, 2016
Long on inventiveness but short on substance.
Ephemera from the life of a children’s book author.
In her latest book for grown-ups, Rosenthal (Encyclopedia of an Ordinary Life, 2005, etc.) again organizes stories of her life into something like a reference book or textbook. The author largely eschews written narrative in favor of a broad smattering of tables, graphs, drawings, photos, a guitar chord progression, a recipe, a dream, a Venn diagram, and more. Section headings like Geography, History, and Math divide and contain these tidbits along with mildly interesting thoughts and anecdotes: a moment's conjecture at who her husband is on the phone with, her faulty interpretation of a magazine article, her decision to leave an unopened packet of honey on the passenger-side floor of her car. One page reads, "When I came back from India, I was absolutely, positively 100% sure I was going to use a lot of turmeric." The book is light; white space abounds. Perhaps aware of this, Rosenthal leaps from the page into her readers’ digital lives, inviting them to text her for various multimedia experiences: three audio renditions of a humming wineglass or a poem read by the deceased poet Kenneth Koch. There is one anomalous short story in the Romance section that, despite its brevity (or because of it), is a moving tale of life, love, and anagrams. Readers who approach this book as a collection of thought experiments will find intermittent inspiration. Photos of two ice cubes—one from the waters of Lake Michigan, the other containing tea from a restaurant—poignantly commemorate moments with her children, and in “The Piñata Experiment,” the author instructs the reader to hang a candy-filled piñata near a baseball field and wait for the object's discovery by Little Leaguers serendipitously wielding baseball bats.
Long on inventiveness but short on substance.Pub Date: Aug. 9, 2016
ISBN: 978-1-101-98454-3
Page Count: 336
Publisher: Dutton
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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