Readers, too, may want to return to these explorations over and over.
Twenty-six poems with varied structures offer quiet observations of the natural world.
Vanderwater’s studies are spare and sometimes personal. Loosely cast as a series of forest visits at different times of the year, they focus both on the large, as in the opening “Invitation,” and the small—fiddleheads, lichens, a cardinal, a squirrel. The poet’s imagination invites readers and listeners inside her subjects’ heads. A chickadee considers taking food from a child’s hand; an owlet worries about its first flight. She listens to the voices of snowflakes and maples. Some poems describe the forest visitor’s actions: In one haiku, she plays with a rotting branch; in another, she marvels at the taste of wintergreen. Two children enjoy the surprise of a mushroom puffball. Listeners will appreciate language play like the tree frog’s: “Hoping. / Hopping. / High above. / Crooning. / Plopping. / Finding love.” The imagery is fresh and original; it’s accessible, too. Watercolor images of each poem’s subject add to the appeal. Some are vignettes, others show a child or a family enjoying the out-of-doors. Although the same young girl appears in these pictures, her clothing and apparent age vary, implying a series of encounters over many years.
Readers, too, may want to return to these explorations over and over. (Picture book/poetry. 5-10)Pub Date: March 26, 2013
ISBN: 978-0-618-84349-7
Page Count: 40
Publisher: Clarion Books
Review Posted Online: Jan. 15, 2013
Kirkus Reviews Issue: Feb. 1, 2013
Lovely pictures newly elucidate this renowned, euphonious work.
A picture-book adaptation of Frost’s pensive poem.
Its four rhyming quatrains are divided into six couplets interleaved with several wordless double spreads; the last four lines each appear on a separate page. Notably, Lynch visually subverts several of the poem’s customary narrative interpretations, depicting a young, light-skinned rider astride a dappled gray horse. While the poem’s line “He gives his harness bells a shake” implies a horse-drawn wagon, Lynch supplies a bell-trimmed bridle instead. Such innovations shift the poem’s authorial voice away from that of the venerable poet, adding a fresh layer of mystery to the purpose of this traveler’s journey. The narrator’s clothing, suggestive of the late 19th or early 20th century, includes a long dress, a belted jacket, a sturdy, wide-brimmed hat, and thick work gloves; a bedroll is stowed behind the saddle. Where the poem mildly personifies the horse, who “must think it queer / To stop without a farmhouse near,” Lynch depicts the dismounted rider fondly cradling the animal’s head as twin puffs of breath exit his nostrils. Belying this “darkest evening of the year,” Lynch illuminates the blue-grays of snow-laden conifers and frozen lake with a pallid gold winter sunset and a fleeting moon. Variable perspective—from bird’s-eye to close-up—bestows a quasi-cinematic sense as the coming dawn draws the rider’s furtive look. Endpapers bracket the journey, from twilit village to sunup, horse and rider long gone. (This book was reviewed digitally.)
Lovely pictures newly elucidate this renowned, euphonious work. (Picture book/poetry. 5-10)Pub Date: Nov. 8, 2022
ISBN: 978-1-5362-2914-1
Page Count: 32
Publisher: Candlewick
Review Posted Online: Aug. 30, 2022
Kirkus Reviews Issue: Sept. 15, 2022
A luminous call to think about what is and to envision what might be.
In U.S. Poet Laureate Limón’s debut picture book, soaring images and lyrics invite contemplation of life’s wonders—on Earth and perhaps, tantalizingly, elsewhere.
“O second moon,” writes Limón, “we, too, are made / of water, // of vast and beckoning seas.” In visual responses to a poem that will be carried by NASA’s Europa Clipper, a probe scheduled for launch in October 2024 and designed to check Jupiter’s ice-covered ocean moon for possible signs of life, Sís offers flowing glimpses of earthly birds and whales, of heavenly bodies lit with benevolent smiles, and a small light-skinned space traveler flying between worlds in a vessel held aloft by a giant book. Following the undulations of the poet’s cadence, falling raindrops give way to shimmering splashes, then to a climactic fiery vision reminiscent of Vincent van Gogh’s Starry Night before finishing with mirrored human figures made of stars. Visual images evocative of the tree of life presage what Límon writes in her afterword: that her poem is as much about “our own precious planet” as it is about what may lie in wait for us to discover on others. “We, too, are made of wonders, of great / and ordinary loves, // of small invisible worlds, // of a need to call out through the dark.”
A luminous call to think about what is and to envision what might be. (Picture book. 7-10)Pub Date: Oct. 1, 2024
ISBN: 9781324054009
Page Count: 32
Publisher: Norton Young Readers
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
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