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TALES FROM THE BACK ROW

AN OUTSIDER'S VIEW FROM INSIDE THE FASHION INDUSTRY

A sharply amusing fashion memoir.

The editor of Cosmopolitan.com dishes on the world of haute couture and its “exclusivity, shameless self-promotion, and extreme ideals of what is and isn’t beautiful.”

In this collection of thoughts about her life as a fashion writer, Odell takes readers on a fun ride through an industry famous for its outlandishness. When she first began as a young fashion blogger for NYmag.com, the author quickly learned that she and her ilk were “like the global warming of the fashion industry—their impact only selectively acknowledged despite its undeniable existence.” As an unknown, she was relegated to the back row of fashion shows top-heavy with celebrities and egotism. She experimented with attention-getting—but sometimes frankly ridiculous—styles such as pink acid-wash shorts both on and off the job while learning about fashion forecasting from the likes of Li Edelkoort. Odell describes encounters with top designers like Rachel Zoe and Karl Lagerfeld that initially terrified her. Despite having to deal with ferociously protective assistants on the one hand and outrageous eccentricities on the other, her experiences with both left her feeling “delirious.” As Odell built her reputation, she caught the eye of Anna Wintour. The legendary Vogue editor interviewed her for a job that Odell characterizes as one for which she would have had to “[go] on valium every day just deciding what to wear every day.” Her rising status in the world of fashion blogging eventually led to a coveted invitation to the Victoria’s Secret Fashion Show. There, she met with the impossibly gorgeous women at the heart of the brand’s success only to learn that “they, too, are as self-conscious as the rest of us.” Odell’s insight into what fashion tells us about ourselves is ultimately what makes her book so refreshing. As she observes, “the fashion industry, in many ways, is a study in how deeply we long to stand out in order to fit in.”

A sharply amusing fashion memoir.

Pub Date: Sept. 1, 2015

ISBN: 978-1-4767-4975-4

Page Count: 256

Publisher: Simon & Schuster

Review Posted Online: June 3, 2015

Kirkus Reviews Issue: June 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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