Many Christian families will want to make room on the shelves for this big book.
Powell, a veteran of adult apologetics, teams up with Christian children’s author Parker (Night Night, Zoo, illustrated by Virginia Allyn, 2019, etc.) for this colorful compendium of Bible questions.>
Starting with basic theology presented in accessible language and engaging illustrations, the authors progress through the Old and New Testaments, answering questions that follow along with the traditional Christian ordering of the books of the Bible. Though more-difficult passages and characters from the source text are glossed over, the authors do an admirable job of presenting Bible stories and doctrinal teaching in a way that is kid-friendly and leaves room for questions the text does not have a firm answer for. Because of this deft flexibility while remaining true to the canon, this book will have broad appeal in a variety of homes and for those curious to learn about core concepts of Christian theology. The pitying attitude expressed toward adherents of non-Christian beliefs, set opposite photographs of an Indian bharatanatyam dancer, a Buddhist monk, a woman in niqab, a child in a kippah, and a professorial-looking white man (a representative atheist?), among others, makes plain its evangelical roots, however. While Tempest’s illustrations depict diverse believers, most artwork featured is from Western traditions, and several Bible characters appear white rather than Middle Eastern even though the text explicitly points out these origins of the Bible stories. There is no backmatter.
Many Christian families will want to make room on the shelves for this big book. (Religion. 7-12)Pub Date: March 3, 2020
ISBN: 978-1-4964-3524-8
Page Count: 144
Publisher: Tyndale House
Review Posted Online: Dec. 21, 2019
Kirkus Reviews Issue: Jan. 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A celebration of progressive Judaism and an inclusive primer on Jews making a difference in the world.
This wide-ranging collection of short biographies highlights 36 Jewish figures from around the globe and across centuries.
Explicitly pushing back against homogenous depictions of Jewish people, the authors demonstrate the ethnic, racial, and gender diversity of Jews. Each spread includes a brief biography paired with a stylized portrait reminiscent of those in Elena Favilli and Francesca Cavallo’s Good Night Stories for Rebel Girls (2016). A pull quote or sidebar accompanies each subject; sidebars include “Highlighting Jewish Paralympic Athletes,” “Jewish Stringed Music,” and “Ethiopian Jews in Israel.” Kleinrock and Pritchard’s roster of subjects makes a compelling case for the vastness and variety of Jewish experience—from a contemporary Ethiopian American teen to a 16th-century Portuguese philanthropist—while still allowing them to acknowledge better-known figures. The entry on Raquel Montoya-Lewis, an associate justice of the Washington Supreme Court and an enrolled member of the Pueblo Isleta Indian tribe, discusses her mission to reimagine criminal justice for Indigenous people; the sidebar name-checks Ruth Bader Ginsburg and Elena Kagan. The bios are organized around themes of Jewish principles such as Pikuach Nefesh (translated from the Hebrew as “to save a life”) and Adam Yachid (translated as the “unique value of every person”); each section includes an introduction to an organization that centers diverse Jewish experiences.
A celebration of progressive Judaism and an inclusive primer on Jews making a difference in the world. (resources) (Nonfiction. 8-12)Pub Date: Sept. 24, 2024
ISBN: 9780063285712
Page Count: 128
Publisher: Harper/HarperCollins
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
BOOK REVIEW
BOOK REVIEW
Like oil itself, this is a book that needs to be handled with special care.
In 1977, the oil carrier Exxon Valdez spilled 11 million gallons of oil into a formerly pristine Alaskan ocean inlet, killing millions of birds, animals, and fish. Despite a cleanup, crude oil is still there.
The Winters foretold the destructive powers of the atomic bomb allusively in The Secret Project (2017), leaving the actuality to the backmatter. They make no such accommodations to young audiences in this disturbing book. From the dark front cover, on which oily blobs conceal a seabird, to the rescuer’s sad face on the back, the mother-son team emphasizes the disaster. A relatively easy-to-read and poetically heightened text introduces the situation. Oil is pumped from the Earth “all day long, all night long, / day after day, year after year” in “what had been unspoiled land, home to Native people // and thousands of caribou.” The scale of extraction is huge: There’s “a giant pipeline” leading to “enormous ships.” Then, crash. Rivers of oil gush out over three full-bleed wordless pages. Subsequent scenes show rocks, seabirds, and sea otters covered with oil. Finally, 30 years later, animals have returned to a cheerful scene. “But if you lift a rock… // oil / seeps / up.” For an adult reader, this is heartbreaking. How much more difficult might this be for an animal-loving child?
Like oil itself, this is a book that needs to be handled with special care. (author’s note, further reading) (Informational picture book. 9-12)Pub Date: March 31, 2020
ISBN: 978-1-5344-3077-8
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: Nov. 23, 2019
Kirkus Reviews Issue: Dec. 15, 2019
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