Emerging readers will appreciate the feel of a chapter book, but this dynamic duo will surely be adored (and envied) by all...
When Uncle Bill visits, adventure is never far behind!
The doorbell rings three times. It’s a sign of something special. Uncle Bill is here to watch Willie. The text hints that Willie may be a bit dramatic. He wears “checked pants and a big striped shirt.” But one look at the illustrations, and readers know that Uncle Bill and Willie are kindred spirits. In a short-chapter format, three separate stories are told. In the first, there is an unexpected haircut and a French hairdresser hero, Pierre. In the second, the pair sets out to make Icky Stew (which consists of chocolate, tuna salad, liverwurst and much more). But who will eat it? A walk through Brooklyn finds some willing customers. The last adventure includes a subway ride and an electric rock-’n’-roll performance. Each story ends with Willie’s mother coming home, instinctively knowing something must have happened but never quite finding out. Schwartz accurately tunes in to the thrill of small adventures and the best part about babysitters—the new, creative energy in the house. Bright patterns adorn Willie and Uncle Bill but are also smattered across rugs, sofas and wallpapers, adding to the joy.
Emerging readers will appreciate the feel of a chapter book, but this dynamic duo will surely be adored (and envied) by all ages. (Picture book. 4-8)Pub Date: April 15, 2012
ISBN: 98-0-8234-2203-6
Page Count: 40
Publisher: Holiday House
Review Posted Online: Feb. 21, 2012
Kirkus Reviews Issue: March 15, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
An invitation to wonder, imagine and look at everything (humans included) in a new way.
A young boy sees things a little differently than others.
Noah can see patterns in the dust when it sparkles in the sunlight. And if he puts his nose to the ground, he can smell the “green tang of the ants in the grass.” His most favorite thing of all, however, is to read. Noah has endless curiosity about how and why things work. Books open the door to those answers. But there is one question the books do not explain. When the wind comes whistling by, where does it go? Noah decides to find out. In a chase that has a slight element of danger—wind, after all, is unpredictable—Noah runs down streets, across bridges, near a highway, until the wind lifts him off his feet. Cowman’s gusty wisps show each stream of air turning a different jewel tone, swirling all around. The ribbons gently bring Noah home, setting him down under the same thinking tree where he began. Did it really happen? Worthington’s sensitive exploration leaves readers with their own set of questions and perhaps gratitude for all types of perspective. An author’s note mentions children on the autism spectrum but widens to include all who feel a little different.
An invitation to wonder, imagine and look at everything (humans included) in a new way. (Picture book. 4-8)Pub Date: April 14, 2015
ISBN: 978-1-60554-356-7
Page Count: 32
Publisher: Redleaf Lane
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
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