An intimate celebration of the power of compassion.
Waiting for a new heart, the author was buoyed by nine devoted friends.
At the age of 25, Silverstein (Sick Girl, 2007) underwent a heart transplant, a grueling experience that she chronicled in her first memoir. The transplant was followed by other medical challenges: breast cancer, requiring a double mastectomy, and major valve surgery. At the age of 51, she learned that her transplanted heart was failing, and she needed another one. Because of an excessive quantity of antibodies resulting from the first transplant, Silverstein’s likelihood of getting a donor match was only 14 percent, and only Cedars-Sinai, in Los Angeles, offered the highly specialized treatment she required. Besides confronting the physical ordeal of surgery, she worried that she would be isolated from her friends and family in New York. When her closest friends learned of her imminent move, though, they banded together in a generous, selfless show of support, creating a spreadsheet that ensured an “unbroken chain of presence.” Her candid recounting of five months at Cedars-Sinai tautly conveys her pain, tension, and despair as she waited for a donor heart; and, crucial to her survival, the loyalty and love bestowed by the women who took turns sitting at her bedside, festooning her hospital room with photos and decorations, bearing witness to the frustrating and frightening realities of her profound illness, and easing her pain in whatever way they could. They also frankly chastised her about her irritability toward assorted medical personnel and her ever patient husband. More than once, Silverstein felt like giving up hope: the implantation of a pacemaker seemed more than she could bear. Resisting sedation for any procedure was a way she felt in control, but the pacemaker took over, riddling her with excruciating pain, increasing as her heart failed. The author takes her title from a poem by Yeats, one of many verses that she memorized to keep her spirits up. She amply testifies to the unfailing friends—her husband included—who never lost faith in her recovery.
An intimate celebration of the power of compassion.Pub Date: June 27, 2017
ISBN: 978-0-06-245746-2
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: April 16, 2017
Kirkus Reviews Issue: May 1, 2017
BOOK REVIEW
BOOK REVIEW
IN THE NEWS
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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